A Quote by Jeff Lindsay

Me, feeling. What a concept. — © Jeff Lindsay
Me, feeling. What a concept.

Quote Topics

Hopepunk is a spirit or a mood. It isn't an actual thing. It is a feeling. It is the Scandinavian concept of 'hygge' or 'coziness' of the mind. It is a warm, happy, charming, uplifting concept that leaves you with a fuzzy feeling in your tummy.
The whole concept of treating people with dignity and respect is a concept that isn't a business concept, it's a life concept. It's who you are at the end of the day.
My feeling is that the concept of creativeness and the concept of the healthy, self actualizing, fully human person seem to be coming closer and closer together, and may perhaps turn out to be the same thing
When I create music, the feeling that you get... I get first. You [the listener] have a delayed experience with the feeling I initially get when I have a creative insight. Not just the voice, but all the creativity - the production, the idea, the concept, the music involved. There is a high. There is an emotional experience that happens when everything comes together... I made music as consistently as I did, especially back in the day, because it made me feel so good... When everything is on, it's a wonderful feeling.
To me, what's really important about the Green New Deal isn't, like, one of the elements of it: it's the concept. It's the concept that we have a national emergency commensurate with a depression or a war. And then the second part of it, the concept that, in rising to meet that challenge, there's a ton of economic opportunity.
Everyone's just extracting meaning and feeling and emotion from almost every aspect of music, and I think that for me, it's a huge antidote to that to have a concept album.
'Love Letter' is a concept album, and whenever I do a concept album - and I love doing concept albums more than any other kind of album - it allows me to get dressed, in a way, musically.
I'd like to do a concept album, with the concept being about me.
I have to sit alone in a room and be alone with my own thoughts. It always starts with an idea, and once the idea grows, I have a concept of what I want to say, and once I go out there and start feeling the energy, that concept grows and becomes whatever it is.
It's not always a conscious thing - I've never been that artist to come to the recording session with a concept of an album; I am a lot more intuitive. I usually start with the music and try to catch a feeling, a gut feeling. And then you need to do interviews and explain yourself more, in words. But during the process it's really about the gut feeling, and it's hard to explain. You're trying to find those moods that make you feel something, I guess.
One thing that's really important for me to be creatively motivated is to find an angle. Some people refer to that as a concept, which it is, in a sense, but not overtly. It's just something I need to focus and hone in on, and the trajectory of what might be seen as a 'concept' gives me creative momentum.
Seriously. I'm not very bright, and it takes a lot for me to get a concept - to really get a concept. To get it enough that it becomes part of me. But when it happens I get real excited about it.
Seriously. I'm not very bright, and it takes a lot for me to get a concept - to really get a concept. To get it enough that it becomes part of me. But when it happens I get real excited about it
Trying to play the new concept with a outward bound feeling.
Another Christian concept, no less crazy, has passed even more deeply into the tissue of modernity: the concept of the 'equality of souls before God.' This concept furnishes the prototype of all theories of equal rights.
Well, here's my feeling about shtick. I think sometimes if you don't have it going on too much, you're probably feeling insecure and then you want to add on the shtick. I would say, oh, like Kiss. You try to stand out from the crowd, you're going for a bold statement, you're going for a high concept.
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