A Quote by Jeff Lindsay
I certainly try to avoid getting bogged down in forensics. There is certainly a whole lot of other writers who know a lot more than me about it. I know enough about it to do a little bit of background on laboratory techniques and stuff. But it kind of bores me.
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There's so many mysteries related to how flies are able to make their way through the world. I'd certainly like to know a lot more about how their brain works. I'd certainly like to know a lot more about just how they're put together. I mean, these animals are basically, topologically, spheres. They don't have bones as we do, of course.
Oh, I usually don't know a whole lot about a subject when I begin; the process itself teaches me a lot as I go along. Usually I know enough about one narrow area of the subject to start myself going, and then everything - including a lot more research - follows from that.
The positive thing about collaborating is that I cannot get distracted by coding work, because I cannot waste the other collaborator's time in the same way as I can my own. And it's always good to learn how the other person works, learn about techniques, learn social things like: how do you communicate with another person? The music I make with other people I'm much more confident about, I'm a little bit less judgemental of the outcome than with my own stuff because I know it's not only me, it's a more outside of me. Sometimes I even like them better than my own tracks.
Some people are paralyzed by the consciousness of death, other people live with it.... The fatwa certainly made me think about it a lot more than I ever had. I guess I know I'm going to die, but then, so are you.
It just kind of continues to be strange and interesting to me to try to understand what other people are looking for. And this also just comes from getting older. You look at the stuff certainly that's coming out of Hollywood these days, and you go, "Did what came out of Hollywood when I was a kid make more sense, or was it just that I was in the demographic then?" But I certainly feel increasingly confused and disconnected from it.
Sex is more openly spoken about than 40, 50 years ago, and I think probably in comparison to a lot of bands - certainly other contemporary pop girl bands - we're certainly not as suggestive. We talk about sex in the way that we would to our friends. As a girl group, I think it was important not to avoid those sort of things either, because it's about confronting people's idea of what women should be talking about and how they should talk about it. There's no point in shying away from subjects like that, because they exist.
Writing has certainly helped me explore about 20,000 versions of my authentic self. I suppose that's what most writers discover if they write long enough: there are a lot of selves roaming around in there.
Being an actor helps me direct a little bit, when I do that, which I haven't been able to do that much, but I plan to in the future. There are a lot of reasons for that, but certainly because I feel like you know how to talk to actors, and you know what they need from you if you've been one yourself.
For the last year and a half, I went from being a crazy workout girl to sort of saying, "My body wants a little bit a of break." So I kind of stay with more simple stuff and taking walks and not being neurotic about working out and eating right. I started to enjoy life a little bit more. The only downside to that is there's that couple extra pounds and about 4,000 pregnancy rumors, but you know, other than that, it feels great.
One of the things I do know is we know very little about our universe. Even though we think we know a lot, and we do know a lot more than we used to, we have a lot to learn about our universe.
I don't know anything else but the Lakers. This has certainly been more than a job for me as a player. It has certainly meant more to me than just an occupation.
There's been Hollywood interest in a lot of the stuff that I've done, but Descender's felt different right from the start for whatever reason. I don't know if that's because a lot of my other stuff's a little more idiosyncratic, and 'Descender' has a bit more of a high concept to it.
My father probably taught me everything I know, aside from dialogue, which I think I get from my mom a lot more. He certainly didn't teach me everything he knew, but you know he has got this book out called "The Spooky Art," which is essentially an advanced book on writing and it's not... You know it's not ABC, but it's for people who feel that bug and know that they're writers and are willing to put in that time alone. Pretty much the vast majority of what he taught me you can find in that book.
Not to any really influential effect, but certainly there have been comments that have surprised me. It's surprising sometimes to get particular perspectives on your work, and it's enlightening sometimes to know that non-writers and readers out there have certain assumptions about everything that I both want to keep in mind and want to forget about why I write, and about the connection between me as a private person and the stuff that I think about on the page.
I met a new girl at a barbecue, very pretty, a blond I think. I don't know, her hair was on fire, and all she talked about was herself. You know these kind of girls: 'I'm hot. I'm on fire. Me, me, me.' You know. 'Help me, put me out.' Come on, could we talk about me just a little bit?
People always ask me about 'Girls' with this kind of hesitation. What do I think of it? I love it. It's awesome. I get a lot of Where do you come down on this? I come down on the side of 'Yay, Lena Dunham. Congratulations. I'm jealous.' She's doing something so fantastic. Maybe it's not for everybody, but it certainly is for me.
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