A Quote by Jeff Lynne

I just want to be in the studio. When you've got all the gear you want in your own house, it's difficult to go out and do something else, you know? — © Jeff Lynne
I just want to be in the studio. When you've got all the gear you want in your own house, it's difficult to go out and do something else, you know?
Well, the kind of central question: "Do you want to live - and I don't mean stay alive - do you want to feel your life while you're living it?" You know, there's somewhere to go that was here before we were and is going to be here after us, so get out there in it. It doesn't take somebody who's got some self-important sense of their own attachment to nature to recognise that you're just stupid if you don't go out there.
You all know the saying which is very true: What you resist persists. And I'm sure many of you have already found that out in your life. And then suddenly when you let go of resistance you let go of an attachment to something: I need this to happen in order to be happy; I don't want what is, I want something else. To be okay with what is, which is the simplicity of this moment, is the beginning of true change.
If I could, I would not do anything else. I'd just be in the studio for my whole life. I would never go to parties, events, and red carpets. I would rather just be in the studio for the whole time. I don't even care. Nobody has to know what I look like. I just want to make music.
I would want people to be their own superheroes, save their own days, know that nobody else is gonna do it for you. You have to pick yourself up out of your dark moment; you gotta be your own source of light, just like I was for me.
I don't know, it's dorky. Just like quotes and stuff. Something I want to see everyday or something I want to be there. I don't know. I can put a hole in the wall if I want. It's mine. It's very simple. It's a very tiny house, but I can do whatever I want to. I can rip up the terrible vinyl floor and recycle it. Just create a good space. A quiet place to be.
The only thing you create music with is your own creativity and your own ears. And it takes a lot of time to develop your own ears. It's really important, before you go to the studio, to realize yourself: What do I want to hear? What do I want to create?
There were two recording studios in Bellingham. One was really expensive, a "nice studio." We were at the point where we were young and irreverent. We would scoff at the idea of a nice studio. "Why would you want to go to a nice studio? Oh wow, they have really expensive gear. Ooh, that's really fancy. Well we've got an eight-track. We've got it going on here." Now that we have the resources, we're like, "Oh wow, a nice studio is pretty nice! They do have nice outboards here. It's actually a pretty good place." It's funny how much changes so quickly.
I didn't want my records to sound like anybody else, and when I've got my guys in the studio, I have a language with those guys because we work together every day. A lot of times, you bring in outside guys, studio players, whatever, and they're great musicians. It's just that they don't necessarily play the way I want it to be played.
I had no ambition to go into show business when I was growing up. I started out as an advertising copywriter and evolved into it. Once you get into it, however, it's very difficult to get out. It gets into your blood. You don't want to do anything else. You want that excitement.
You know how it is to want something. Desire builds like a little house in your head and it sits there, half-constructed in your mind. Women who want children are this way. Artists are this way about pictures. It doesn't go away. You may forget for a few months but then it's back, the unfinished pieces of what you want.
I can do what I want, when I want. I want to go to this place, I pick up and go. It's nice. I've just never been inclined to do anything that's too crazy. But I still have to work, you know. Some days I don't feel like going to the studio. But I still have to.
If you want to be an actor and you love acting, you can do it whether you're doing something else or not. You can be connected with community theater or make your own little movies. But, if you want to be a movie star, you've got a tough road ahead of you.
If you want to be an actor and you love acting, you can do it whether you're doing something else or not. You can be connected with community theater or make your own little movies. But if you want to be a movie star, you've got a tough road ahead of you.
I'm very critiqueful of my own stuff, and I kick everybody out the studio when I'm singing, no one is in the studio, it's just me and the engineers, no one else in the studio when I'm doing my thing.
By the end of the time I'm writing a book, I'm tearing my hair out and I want to go do stand-up. And then I want to do something else. I don't know why it is true with me that I can't just be satisfied doing the one thing, but I'm constantly flitting from one thing to another.
I want to be in the studio. I want to be doing something. You just do whatever is at hand, and you don't even worry about whether it's going to be interesting or not interesting to anybody else-or even yourself. You just have to make something.
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