A Quote by Jeff Lynne

I try to find nice chord changes, that's how I love to start, and then I start trying to knock it into a song, knock it into shape. — © Jeff Lynne
I try to find nice chord changes, that's how I love to start, and then I start trying to knock it into a song, knock it into shape.
I like to wear a "Do Not Disturb" sign around my neck so that little kids can't tell me knock-knock jokes. "Hey, how ya doin'? Knock-knock." "Read the sign, punk!"
It usually takes me 20 to 90 minutes to write a song because once I start, I don't stop. I like when it's really organic, so I try to knock it out in one shot.
To me it's just the knock, man. It's the knock and the groove of the beat. When I start a song, it's the first thought. It's the first thought and the first cadence, because that's the most natural. You know what I'm saying? I feel like people can feel when something is natural.
No man ever got very high by pulling other people down. The intelligent merchant does not knock his competitors. The sensible worker does not knock those who work with him. Don't knock your friends. Don't knock your enemies. Don't knock yourself.
Something like 'Knock Knock,' I was trying to do a Joe Meek, 'Johnny Remember Me'-type thing.
One of my friends, Bruno Andrade, was so quick, he just used to knock the ball past whoever he was playing against, and I thought, 'Why can't I do that?' Until then, I would try to dribble and maybe try a stepover, but Andre would just knock it then - beep, beep - and he was so fast, he would get there first.
Here it comes," she said with an expression of pure bliss. "Drug rush ... any moment now ... the surge of warmth ... bye-bye, Mr. Pain..." "Vee-" "Knock, knock." "This is really important-" "Knock, knock." "It's about Elliot-" "Knock, knoooock," she said in a singsong voice. I sighed. "Who's there?" "Boo." "Boo who?" "Boo-hoo, somebody's crying, and it's not me!" She broke into hysterical laughter.
No man ever got very high by pulling other people down. The intelligent merchant does not knock his competitors. The sensible worker does not work those who work with him. Don't knock your friends. Don't knock your enemies. Don't knock yourself.
Before I drop in, I tend to knock on my snowboard. You know how when you jinx yourself, they're like, 'Knock on wood.' My snowboard's wood, so in case I jinxed myself sometime in the past, I just knock on my board. It just makes me feel a lot more comfortable.
I enjoy darker sardonic wit more than knock-knock jokes. I spent the first healthy chunk of my career playing all-American, pleasant, average, nice people, so it's fun to have some complications there.
On past records I usually did start with a story or an idea for a song and then write around it, but on Achilles' Heel I would just start writing and try to let the song and my sub-conscience determine the direction. which is a goofy way of saying I tried not to decide before hand what the song and or the characters would do and be like.
I'm finding that knocking at their mindsets is hard work. A simple knock will not make it crawl. I was trying to push it. I was trying to find a bird's eye view where I could find a big solution. So this is what I was trying.
I start kind of stiff, and then I understand the movement, the distance, and then I can start loosening up. That's how fighting should be. That's how I try to keep my mind.
& these haters try to knock me but they can't knock me off the hinges.
Filmmaking is finding a piece of granite and you start to chip away and then you have the shape of a head, the shape of the arm, you can see the shape of the face and the face starts to gather character. You have to find it.
With every song, all the elements have to work. First, the beat has to be great - you start there. You start with the music, and then the ideas follow. Then you start thinking of rhymes, and then you record it, and sometimes - this happens to me a lot - it doesn't come out as good as it did in my head when I first wrote it.
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