A Quote by Jeff Lynne

The first band I saw were Mike Sheridan and The Nightriders, in their brown mohair suits, in 1966. — © Jeff Lynne
The first band I saw were Mike Sheridan and The Nightriders, in their brown mohair suits, in 1966.
I've bought clothes based on record covers. Particularly from the formative music that turned me onto it in the first place when I was a kid, with the Beatles and the Small Faces. A lot of those Sixties soul artists were in really sharp sharkskin or mohair suits, and Motown artists looked amazing.
Even though it's not a widely appreciated yarn, any suit made from a mohair-wool blend travels exceptionally well. The retention of the mohair fiber bounces back and minimizes any creasing that occurs whilst traveling. Mohair also breathes really well, keeping you cool or warm, and is therefore extremely versatile.
When I first played New York, it was with James Brown at the Apollo, and I was playing in a band under the name The Valentinos. I remember Sam Cooke saying, 'I want you to go in there with James Brown. I couldn't be as hard on you as James Brown would be.' But we came out marching like soldiers.
My first rock band was called Mike and the Majestics. I was about twelve, and my older sister Kathy was the manager. There were three of us: me and a friend on guitars and a drummer. We were young, but we played for a lot of fraternity parties, plugging both guitars and a microphone into one little amplifier.
If anyone saw Fall Out Boy's first 400 shows, we were the worst band of all time.
The most significant bands I played in when I first got to New York were Bobby Watson's band, Roy Hargrove's first band, Benny Golson's band, Benny Green's trio, and probably the most significant out of all of those, for me personally, was playing in Freddie Hubbard's band.
Every good band in the world was a cover band first. The Beatles were and the Stones were. Everybody was a cover band.
Mike is a genius guitar player and keyboard player. I realized that, with this group, I just joined Mike Keneally's band!
I founded the Me Too Movement because there was a void in the community that I was in. There were gaps in services. There was dearth in resources, and I saw young people - I saw black and brown girls - who are hurting and who needed something that just wasn't there.
When you see old movies, there were so many beautiful actresses. Lana Turner and Ava Gardner were beautiful... They were all so glamorous. You never saw them in their dungarees and their gym suits. They always looked fabulous.
In the beginning of 'Jersey Shore,' for sure, that was the real Mike. That's the Mike that I know, that's the Mike I love. And that's the Mike I strive to be every day.
I usually go to secondhand stores and find what I can. I like finding interesting things: vests, blazers. I tell the band, 'We got to look good when we're up there.' I learned it from Miles Davis. I read about his suits in his biography. Suits mean you're getting paid, and I like the idea that he looked good in his suits.
When I was growing up, I only saw really brown people on 'The Cosby Show,' and they were rich, and their parents were doctors. It wasn't like my home.
For starters, I should just tell you that The Band was always my favorite band from the first moment that I heard the first note of "The Weight" on WNEW radio. It was when I was eight years old and Music From Big Pink came out. They were my favorite band always. They had a profound influence on me and on my becoming a musician.
The happiest times in my life were the days when I was traveling with Les Brown and his band.
My first contract was in 1965. There were six of us in this band - my band before Deep Purple - six in the band plus management, and the entire royalty rate was three-fourths of 1 percent.
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