A Quote by Jeff MacNelly
I thought that through the strip, I could vent my spleen and be funny at the same time. But when it comes to humor, there's no substitute for reality and politicians.
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Good-humor, gay spirits, are the liberators, the sure cure for spleen and melancholy. Deeper than tears, these irradiate the tophets with their glad heavens. Go laugh, vent the pits, transmuting imps into angels by the alchemy of smiles. The satans flee at the sight of these redeemers.
Stan Lee always wanted to do another syndicated strip while we were doing Spider-Man. I was working two jobs, and he wanted to make time to do another strip. He wanted to do a humor strip. I said, 'Stan, I barely make it through the week now. How the hell am I going to do another strip?' He said, 'Oh, I'm sorry, I always forget it takes you longer to do a page than it takes me to do twenty pages.'
When humor can be made to alternate with melancholy, one has a success, but when the same things are funny and melancholic at the same time, it's just wonderful.
Reality - Dreams = Animal Being Reality + Dreams = A Heart-Ache (usually called Idealism) Reality + Humor = Realism (also called Conservatism) Dreams - Humor = Fanaticism Dreams + Humor = Fantasy Reality + Dreams + Humor = Wisdom
Humor is not funny. Humor is something else. Funny is a joke, sometimes silly. Comedy is deep and connected to tragedy; comedy could be deeper than tragedy, in my view.
My discussion is one that has gone all the way from Fistful of Dollars through Once Upon a Time in America. But if you look closely at all these films, you find in them the same meanings, the same humor, the same point of view, and, also, the same pains.
I thought my family was really funny. Everybody in my family was funny. My mom and dad both have great senses of humor and really saw the funny in stuff, so I think that's probably where it came from. I always try to see the funny in things.
Cathy was the first widely syndicated humor strip created by a woman. The strip was pretty revolutionary at the time not only because it starred a female, but also because it was so emotionally honest about all the conflicting feelings many women had in 1976.
Any discussion of the problems of being funny in America will not make sense unless we substitute the word wit for humor. Humor inspires sympathetic good-natured laughter and is favored by the healing-power gang. Wit goes for the jugular, not the jocular, and it's the opposite of football; instead of building character, it tears it down.
I think the thrust of any child is to try to fit in and be part of it. And I can't tell you how many times my humor, you know, what I thought was humor ended up making me the outsider. Like I'd be, I go, 'It's a joke.' And they'd go, 'Well, what was funny?' And they just thought I was insane.
When a novelist manages to describe or evoke something you thought or felt, without realizing that other people also found themselves in the same situation and had the same feelings, it creates that same solidarity. Maybe it's better to think of humor not as a tool to express the solidarity, but a kind of by-product. Maybe the realization "I'm not on my own on this one" is always, or often, funny.
To me, being funny is more important than making a point, but I don't know. Most politicians are so interested in making points that they don't ... I'd rather be funny myself, and I'd rather listen to somebody with a little sense of humor.
'Wonder Showzen' is one of my favorite shows of all time. When I first saw it, I thought it was so funny and new and original and edgy and insane and subversive. I didn't know comedy could do that. It redefined what I thought you could do with a TV show.
I can't not find humor in elements of most parts of life, but at the same time nothing ever seems perpetually funny to me.
I'm not offended. Lenny Bruce taught me that everything's funny. You can make everything funny. I don't think that assassinations are funny, I don't think you can make fun of ISIS, but almost everything is funny. And If we can't laugh at ourselves, who can we laugh at? So I don't mind ethnic humor. I like ethnic humor. I like dialect jokes. Laughter is a very subjective thing. If it's funny to you it's funny. And a lot of things are funny to me.
Humor has historically been tied to the mores of the day. The Yellow Kid was predicated on what people thought was funny about the immigrant Irish. When you're different in a society, you're funny.
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