A Quote by Jeff Mangum
I made a record of montage sounds in '99 under the name Korena Pang, but it was never put out because it didn't do it for me.
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The decision to change the name meant we were getting serious, because we couldn't make a record if some other band had the same name as us.
I told the boys I was in a record store, thumbing though 45s, and I'd seen a record with the name the Warlocks on it. I've often wondered whether I hallucinated it, because I never saw the record again and I never heard a word about any band called the Warlocks.
I grew up listening to The Beatles, Led Zeppelin, and every record those bands put out was very unique in its own right. I have that mentality. too: if a song sounds like something I've already done, then I'll throw it out, because I want each record to be a progression.
I don't know if I ever feel totally great about a record when I put it out. With every record that I put out, someone has literally got to come pry it from me because when I listen to my own music, I just hear flaws in it.
Well, I was making a record, and I had to choose a name, because they said, you know, you can't make a record under the name of Reg Dwight, because it's never going to - you know, it's not attractive enough.
I never set out to do this; I never set out to say, 'Can I break this record?' Then all of a sudden, the preparations made for the celebration put pressure on me. I said, 'Okay, I have to get there.' After 2,130, there was sort of a realization it was a foregone conclusion you're going to play tomorrow.
But I think it's hard for me to only put out one record a year. Because I get too antsy. But it's good I'm learning to do that, because each record counts. And you should make it count.
A montage is incredibly challenging. When I can, I'd like to know what the music is going to be ahead of time because that will affect the beat, the pace of the montage.
My last name is Szekely. Sounds like Saykay. When I was a little kid I had an instructor in camp who called me Shnizneckely. He would make fun of my name and it hurt my feelings because I was a little pussy and I cried. He said, 'Well, how do you say it?' I said, Seekay. So he wrote 'C.K' on my jersey and everything. He made my name 'C.K' and I just stuck with it.
I've never loved the name "Rainbow" - it seems like a name you'd give to your stuffed unicorn - but I really like having an unusual name. It stands out. And it made me feel like it was okay to stand out. To be different.
That's why I made my record before I had a label. I put it out independently - in a way, out of fear - because I didn't want anyone to change it.
When I made a breakthrough as an actor, people started to say, 'Who's that bloke with the funny name?' They advised me to change it, saying it would never be put up in lights outside theaters because they couldn't afford the electricity. But I would never contemplate changing it. It's who I am.
No, if it was up to me every record would be brand new studio material but Atlantic records asked me to put out a full live record because my tour really did do well last year.
You put an old Misfits record on, and it sounds like it came out yesterday.
I don't physically put Appetite For Destruction in and listen to it, but I hear it on the radio or at sporting events or wherever else it pops up, and it's great. I dig everything about it. When I hear Appetite, it sounds like exactly what it was. It sounds like a record made by an angry bunch of kids.
I think I became a gay comedian out of necessity, because what else am I gonna do with that name? And it has worked out now, but it was a very difficult childhood. It sounds like the hokiest stage name ever.
The live thing is separate from the record for me. I have to figure out a way to make the songs work live. It's always going to be different than it is on a record, because every record I've made, there are people playing parts on there that are not going to be coming on tour with me. As much as still feeling connected to it, it's more like rediscovering.
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