A Quote by Jeff Mills

Techno is everything you haven't imagined yet — © Jeff Mills
Techno is everything you haven't imagined yet

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I've been waiting for techno to die. I was in Germany once and this guy was telling me that techno was dead, and then he proceeded to play me techno for hours.
When I heard We Are the World do a techno version of one of my songs, I didn't know the word techno, but I said, "That percussion is astounding, will you help me do a piece?" Nobody said, "Techno isn't allowed for you."
You know, when I was a kid waiting on the bus, I remember that was when I imagined my life. I imagined everything that I was gonna be when I grew up and I imagined all of these amazing journeys and amazing people I'd meet. Of course, all of it has kind of come to fruition.
You know, when I was a kid waiting on the bus, I remember that was when I imagined my life. I imagined everything that I was gonna be when I grew up and I imagined all of these amazing journeys and amazing people Id meet. Of course, all of it has kind of come to fruition.
The U.S. needs a strong techno brand like Awakenings, just pretty much pure techno.
We got pretty techno on 'Eliminator' and 'Afterburner,' which I enjoyed. I think they're good albums, but we wanted to start using the techno element a little more sparingly.
It's good to wander into the studio and walk out with something that's better than you'd imagined it to be. If everything was as you imagined it to be, it just wouldn't be as much fun.
Banging techno grooves from the one and only Ben Sims. Around the time of this was written he had that tribal/funky techno sound that rocked the dancefloor. He was a favorite then and still is now.
I like everything from hard-style techno to rock n' roll.
Let us put it this way, techno-scientific intelligence is presently insufficiently spread among society at large to enable us to interpret the sorts of techno-scientific advances that are taking shape today.
I'm of the opinion that the real is imagined and the imagined is quite real. The real is imagined, in the sense that we shape our stories, so anything that even happens on the news gets shaped in a certain way and gets a texture, and that the imagined can be real.
I think, when I wrote 'Children of Jihad,' I wrote it with a very optimistic view of what technology can do. Today I maintain that optimistic view, but I'm also aware of the challenges we have. So I would say I'm not a techno-utopian, but I'm a techno-pragmatist.
I'm not attached to a certain scene. There was certain music - and techno was a part of it - that really formulated something for me, that really was a direct connection to what I experienced in my life. Going to parties and listening to techno at home helped form my musical identity. And that changed throughout my life.
I connect with techno way more than house. I find it frustrating people call me a house artist because I think my music in general is more in the tradition of techno. House is celebratory and extroverted. I don't connect with that sentiment.
Today, with computer-generated visual effects, everything is possible. So we've seen everything. If it can be imagined, it can be put on screen.
She imagined herself both queen and slave, dominatrix and victim. In her imagination she was making love with men of all skin colors--white, black, yellow--with homosexuals and beggars. She was anyone's, and anyone could do anything to her. She had one, two, three orgasms, one after another. She imagined everything she had never imagined before, and she gave herself to all that was most base and most pure.
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