A Quote by Jeff Perry

I was one of the artistic directors of the Steppenwolf Theatre, which me and many dear buddies started all the way back in 1974, and I have a lot of that in my makeup. — © Jeff Perry
I was one of the artistic directors of the Steppenwolf Theatre, which me and many dear buddies started all the way back in 1974, and I have a lot of that in my makeup.
My whole family is very artistic - my uncles are all actors and theatre directors.
I started my acting career in 1974 through theatre and I was also a student of the National School of Drama.
I was buddies with Dennis Rodman back in the day; actually, I am still buddies with him, and so I have gone to a lot of games and always enjoyed it.
All drama teachers are very effusive, very emotionally open, very big, and gesticulate a lot, and are very physical. Those people don't work in banks and they don't work for pharmaceutical companies. They teach drama, or they may be theatre directors. That's why I love people who are openly gay in theatre, because they have license to do what they like, and there's a kind of artistic liberal tolerance thing that goes on.
Hollywood is a boys' club, and that's something I thought was a stereotype - and it's not. That really shocked me. Still shocks me. Everyone's helping their buddies out and pressing their buddies and playing tennis with their buddies and making movies with their buddies, and that grosses me out.
My mom actually arranged for all my friends and I to have a makeup tutorial when we first started wearing makeup. That way, we learned how not to do our makeup.
I pretty much got into theatre to do community theatre and things, but then I went to Williamstown and found an agent. I then went to New York and did a lot of theatre there, so I started doing only theatre.
People value makeup differently. Some people see makeup as an artistic expression, some people use makeup as a boost of confidence. I just think makeup is so beautiful and that it really is art. That's why I do makeup.
I think you're peripatetic when you work in this industry. My husband and I are assuming the role of co-artistic directors at the Sydney Theatre Company in 2008. But as long as the film industry will have me, I will have it.
Dear God, I've done so many crazy hair colors and outfits and makeup looks where I look back and it's like, What the hell was I doing? You can't be afraid to make mistakes, you have to take risks. We all have those moments we look back on and wish weren't captured on film, but we're not alone in that.
In 1993, I was working at the Steppenwolf Theatre in Chicago.
Designers are more like artistic directors now. Before, there wasn't this idea of supervising the artistic direction of the entire house. The old way was to think you could be this couturier or designer or stylist.
I love directing. It's something I started doing in theatre when I was in university in Chicago and I started a theatre company right out of college and was directing for many years.
I was 28 before I started putting on productions. I got in the back door by doing fringe shows and a lot of assisting, and I learned on the job. There weren't many female directors when I was starting out. I slowly gained confidence and understanding of the theater, but on my own terms.
I haven't done as many films as I would have liked. A lot of my contemporaries have done more. I don't have 'I will be a movie star' emblazoned on anything, but I'd like do a bit more screen stuff and then when the time is right come back to theatre. When it is good, theatre takes a lot of beating both to watch and perform.
I went to theatre school for four years and just wanted to do theatre. I had no ambition to be on TV or to be on camera. I just wanted to go to New York or London and be on stage... I did a lot of theatre in Montreal, got involved in TV in Toronto and then moved to L.A. I hope that film and TV will take me back to theatre.
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