A Quote by Jeff Ross

My parents passed away when I was a teenager, so I had to learn different survival techniques, I think, in comedy. You know, using comedy as a pressure release, as a release valve in life really kept my sanity.
The thing with film is that it's so wide-reaching compared to comedy. When I release my comedy special, half a million people will see it. If I release a movie, five to ten million people will see it.
I think that comedy really tells you how it is. The other thing about comedy is that - you don't even know if you're failing in drama, but you do know when you're failing in comedy. When you go to a comedy and you don't hear anybody laughing, you know that you've failed.
It was universal pressure on the regime to secure my release. International pressure was certainly helpful in my release.
I wanted to have a label to not only release my own stuff but to also give young talent a chance to release their music without signing away their life. I had a great time with Spinnin', and the people I worked with were amazing, but the contract wasn't really for me. It wasn't what I wanted.
It was spine tingling, actually, when you saw how people kept saying, "Release Nelson Mandela," and meaning really, "Release all of our political prisoners."
We have home videos that are really great tape on my parents being hysterical. So I think I always knew that my parents were funny, so I think that I always felt comfortable using comedy in my real life.
The way humor's usually used in horror, it's as a pressure-release valve; without it, the drama would escalate out of all control almost immediately.
To be honest, I'm probably more of a comedy person, actually. I really enjoy the comedy stuff, and I've got some things I'll be working on that I think are just different ways of combining genres in comedy and drama and action.
There's a lot of pressure to release a game early. In Syndicate's case there was a lot of pressure from us on distributors Electronics Arts to release it in March '93, and I said no.
Horror is like comedy. Woody Allen's comedy is going to be very different from Ben Stiller's comedy which is going to be different from Adam Sandler's comedy which is going to be different from Judd Apatow's comedy. They're all comedy, but they're all very different types and you can enjoy all of them. Horror is the same way.
Tension is all about, 'Why is this taking so long?' The interesting thing about that is that it's also the tension of comedy. The tension of drama and comedy is similar, and that's why usually you can get a big laugh in a really tense moment because people need that release.
You are not a helpless victim of your own thoughts, but rather a master of your mind. What do you need to let go of? Take a deep breath, relax, and say to yourself, 'I am willing to let go. I release. I let go. I release all tension. I release all fear. I release all anger. I release all guilt. I release all sadness. I let go of all old limitations. I let go, and I am at peace. I am at peace with myself. I am at peace with the process of life. I am safe.'
I primarily have had my career in comedy, and that is something that I have never been too concerned about because I know there is really no room for vanity in comedy. Comedy comes from pain and it is a lot easier to empathize with somebody who is out of shape.
I sat there in awe that some guy overseas, trying to protect our interests, was using a silly comedy as a survival tool. My brain had an explosion. I was really moved by that.
I love doing comedy. I find comedy quite hard work. Comedy's underrated, I think, by actors, you know? It's difficult to get it right and get it funny. I really enjoy doing it. I kind of wish I'd done it more. I can't complain. I've had a fair crack of the whip.
Football management is such a pressurised thing - horseracing is a release. I'm also learning to play the piano - I'm quite determined - it's another release from the pressure of my job.
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