A Quote by Jeff Smith
As I got into the animation, as I learned more about the business, I learned that you need a lot of people to do anything animated - even a short, let alone a feature film. And you need a lot of money.
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The amazing fact that one person can make his own film - I think animation is somewhat unique in that respect. I don't need to deal with lawyers. I don't need to deal with corporations. I don't need to deal with executives or agents or any of that. I can just sit at home and make a feature film. That's a wonderful experience. Each film I make gets more popular, more press and makes more money. So it's amazing that I've survived and actually prospered doing that sort of homegrown, cottage-industry filmmaking.
I took business and economics courses. More than anything, I learned the proper steps and the things that need to be outlined. You have to keep your books: how much money you made, how much money you're spending, what you profited, and what you're gonna need for expenses.
Even before 'Moon,' I did a short film called 'Whistle,' and it had a lot of the things that I thought I would need to be able to do on a feature film: I shot on location, there was special FX work, there was stunt work, we used squibs, I shot on 35 mm film.
I learned a lot about 3D animation from and with my dear friend Michael Hemschoot of Workerstudio. Taught me that I want to play more with animation and image manipulation. Fun stuff!
When I said that something was going to cost a certain amount of money, I actually knew what I was talking about. The biggest problem that we were having on the financing front was people with lots of money saying "you need more money to make this film [Moon]," and us saying "no this is the first feature film we want to do it at a budget where we sort of prove ourselves at the starting end of making feature films; we can do this for $5 million." That is where the convincing part between me and Stuart came, we had to convince people with money that we could do it for that budget.
A gem of a short film has a sense of pure joy in animation that is different from anything you see in a feature film.
I don't think I changed a lot although I learned a lot. Adversity can be a wonderful teacher. Some people can't handle the pressure of it. For me it was a great thing. I learned about myself going through tough times. I guess I learned well.
I've definitely gotten more confident about showing my natural skin - even during breakouts. I've actually learned that a lot of people don't love their freckles, but I've learned to love mine.
You need to have a short-term memory. That's a big thing that I learned a lot. Moving on from games, even good games that I have. Move on from them and be prepared for the next night.
Keanu Reeves learned a lot, respecting the culture. I was surprised when I first met him. He knew a lot already and he learned a lot. And also he learned Japanese. It's incredible. On the set, switching between the Japanese and English, even for us, is very hard. It's complicated. But the first time Keanu spoke in Japanese it was a very important scene between us, and more than the dialogue's meaning, I was moved. His energy for the film, completely perfect Japanese pronunciation. It was moving, surprising, respecting.
I've learned that having a lot of money is more fun than not having a lot of money, and that once you've got it, it tends to grow all by itself, like a fire.
I learned some big lessons on my first film, a horror film which was never released in the U.S., even though we sold it to Harvey Weinstein for a lot of money.
I've learned that whenever I decide something with an open heart, I usually make the right decision. I've learned that even when I have pains, I don't have to be one. I've learned that every day you should reach out and touch someone. People love a warm hug, or just a friendly pat on the back. I've learned that I still have a lot to learn.
A lot of women feel it's a man's world. Some people think all you need to do is marry a rich guy, and you don't need to do anything with your life. I would hate that. I don't care whether he has money or he doesn't, because I don't need it, and that's a good feeling that I don't have to worry about that.
I've learned a lot from doing the sitcom. I've learned so much about comedic timing. For all the movies I've done, I've played so many different roles. I love both, but I guess in my career maybe I want to stick more to film.
In my few short years I learned that seeing what's positive about a situation is a lot more fun and gets you a lot further than looking for what might be wrong with it.
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