A Quote by Jeff Tweedy
Anybody who'd expend energy preventing people from hearing music seems not to understand the basic principal of making music in the first place. It's so antithetical to being a musician.
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You listen to a politician making a speech, and it is like hearing nothing. Whereas, music is unmistakably music. The thing about music is that nobody listens to it unless it's real. I don't think that you can fool anybody for too long in music. And you certainly can't fool everybody.
That certain feeling happened to me in a big way quite often with the first King Crimson. Amazing things would happen-I mean, telepathy, qualities of energy, things that I had never experienced before with music. You can't tell whether the music is playing the musician or the musician is playing the music.
I have very diverse tastes in music, and I don't, like, make distinctions between what I can't and can't listen to. In fact, I could never understand why anybody would do that in the first place. My attitude is, 'I can't make music if I don't like music.'
I wouldn't have known when I was a teenager that when I was coming up to being a sixty-year-old woman that I'd be making music, I'd be recording music, talking about music, and incorporating my views on the world into the music-making. So it's a very rarefied place to be, and I'm very grateful for that.
In school I was interested in music, but I never saw myself being a musician at that point. Music technology was the only subject I cared about: it taught me the basics of music production and I started making beats and freestyling with my friends.
I did not like that name "world music" in the beginning. I think that African music must get more respect than to be put in a ghetto like that. We have something to give to others. When you look to how African music is built, when you understand this kind of music, you can understand that a lot of all this modern music that you are hearing in the world has similarities to African music. It's like the origin of a lot of kinds of music.
Formalism is music that people don't understand at first hearing.
It is against the spirit of our non-discriminating times to openly prefer one sort of music to another, so let's just say that hearing grand orchestral music in a public place is exhilarating in a way that hearing popular music never can be, if only because, in a popular music age, a full orchestra is less familiar to our ears.
Most people define themselves by what they do - 'I'm a musician.' Then one day it occurred to me that I'm only a musician when I'm playing music - or writing music, or talking about music. I don't do that 24 hours a day. I'm also a father, a son, a husband, a citizen - I mean, when I go to vote, I'm not thinking of myself as 'a musician.'
It's not me, it's the songs. I'm just the postman, I deliver the songs. When I first heard Elvis' voice, I knew that I wasn't going to work for anybody ... hearing him for the first time was like busting out of jail. This land is your land and this land is my land, sure, but the world is run by those that never listen to music anyway. People today are still living off the table scraps of the sixties. They are still being passed around - the music and the ideas.
The thought about changing my genre of music does cross my mind, but then I remember why I started making music in the first place or why people started liking my kind of music.
It seems like people get afraid of a certain music if they can't pigeonhole it to their satisfaction... Good music is good music, and that should be enough for anybody.
When we talk about music, we tend to place our experiences into one of two categories: making the music and listening to it. Delineating the two seems practical and obvious. In reality, though, there are a lot of opportunities for overlap, and it doesn't matter how you get into the music as long as you connect with it.
My parents being Bengali, we always had music in our house. My nani was a trained classical singer, who taught my mum, who, in turn, was my first teacher. Later I would travel almost 70 kms to the nearest town, Kota, to learn music from my guru Mahesh Sharmaji, who was also the principal of the music college there.
I just make [music] for the people that always enjoyed hearing from me. I make it for people that enjoy the energy of rap music or a good rhyme. I do it for the people I see everyday, not the Hollywood ass people, the normal people.
Technology is improving to prevent musicians from losing their hearing while performing on stage... audience members losing their hearing from listening to loud music... people being able to experience music not just with their ears, but with touch or with through their eyes.
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