A Quote by Jeff Tweedy

I've been buying instruments and musical gear for a long time. — © Jeff Tweedy
I've been buying instruments and musical gear for a long time.
For a long time in the 1970s, I was experimenting to build musical instruments and use them. I did a lot of ethnic music studies and other things, like electronic music. Making homemade musical instruments and performing was my major activity from the time.
There is perhaps nothing that is not musical. Perhaps there's no moment in life that's not musical... All instruments, musical or not, become instruments.
Growing up in the Libya of the 1970s, I remember the prevalence of local bands who were as much influenced by Arabic musical traditions as by the Rolling Stones or the Beatles. But the project of 'Arabisation' soon got to them, too, and western musical instruments were declared forbidden as 'instruments of imperialism.'
In history, in most cultures, and at most points in time, if you want to find the most advanced technologies, you can look principally in two places. One is weapons and the other is musical instruments. My hypothesis is that instruments are usually ahead of weapons. In fact, I think you can find many examples of instruments being predecessors of weapons and very few in the reverse.
I've been into gear for a long time, but I never saw myself as a producer because I didn't have the patience to finish things in a professional way.
Any musical form that has been around long enough to have cultural resonance beyond just being a cutting edge kind of communication - but, especially, when it begins to reflect on a time and reflect on a culture - is effective in a musical.
I started getting back into buying old analog gear while we were recording. Lots of old drum machines and synths. It wasn't a conscious thing. I didn't consider myself a collector, but boxes of vintage gear would turn up virtually every day.
There is a sort of convergence starting to happen between the computer and musical instruments, but it's still quite a long way off.
I had been building electronic musical instruments since I was a kid.
At that time, 73 and 74, I became aware that there were a number of us making instruments. Max Eastley was a good friend and he was making instruments, Paul Burwell and I were making instruments, Evan Parker was making instruments, and we knew Hugh Davies, who was a real pioneer of these amplified instruments.
I'm quite good on the harmonica and can get a tune out of most musical instruments, so long as the tune is 'Oh Susannah.'
I used to play a few instruments including guitar and snare drums, but I think a musical background is an important part of a career. If you start out playing instruments you create a better instinct and feeling for music.
I believe that musical instruments are created because they are supposed to be played. There's not an instrument that's been designed to not be playable - it kind of defeats the point.
My whole life I've always innovated the gear to match my pursuits. I've innovated the best climbing gear, the best slacklining gear, and definitely the most advanced BASE jumping gear.
For a long time religion made me feel guilty for being involved in music. Growing up, the religion I grew up in, the Church of Christ, encouraged a capella, but didn't allow musical instruments, so even though my parents allowed me to play trumpet in the band, and I was pretty good at it, it had this baggage.
I had been wanting to do a musical for a really long time. I wanted people in New York to know that I can sing.
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