A Quote by Jeff Vandermeer
The one thing I always come back to as a writer, what I consider my bedrock, is a lot of charged images that appear in the text.
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We must be forewarned that only rarely does a text easily lend itself to the reader's curiosity... the reading of a text is a transaction between the reader and the text, which mediates the encounter between the reader and writer. It is a composition between the reader and the writer in which the reader "rewrites" the text making a determined effort not to betray the author's spirit.
With Orff it is text, text, text - the music always subordinate. Not so with me. In 'Magnificat,' the text is important, but in some places I'm writing just music and not caring about text. Sometimes I'm using extremely complicated polyphony where the text is completely buried. So no, I am not another Orff, and I'm not primitive.
The truth about being a writer is you do not choose the stories you tell, but stories choose you. You do not choose, therefore, characters either. Novels are like dreams you dream with your eyes open; they are books which appear in your head with the same apparent immediateness as they appear in your dreams at night. A writer always writes their obsessions and the truth is that all throughout life we end up writing the same thing in different ways.
As a visual storyteller, a lot is learning what to include so you're not being redundant between images and text.
Young women are still looking for a prince on a white charger to come over the hill or for Mr. Rochester to appear. We all pretend we're right-on feminists, but underneath that, there's still the bedrock of romance.
Here the only genuine conflict is between true believers. Of a given text in Holy Writ one faction may say this thing and another that, but both agree unreservedly that the text itself is impeccable, and neither in the midst of the most violent disputation would venture to accuse the other of doubt. To call a man a doubter in these parts is equal to accusing him of cannibalism. Even the infidel Scopes himself is not charged with any such infamy.
As a fighter, I recognise that the one thing we fight for is prizes. The one thing that motivates us is money. A lot of fighters do come back because of money. The biggest spur they have is financial, and thank God my finances were secure, and I didn't need to come back for that reason.
Back then people closed their eyes and listened to music. Today there's a lot of images that go with the music. A lot of music is crap and it's all commercial and the images are all trying to sell the record.
This manuscript of yours that has just come back from another editor is a precious package. Don't consider it rejected. Consider that you've addressed it 'to the editor who can appreciate my work' and it has simply come back stamped 'Not at this address'. Just keep looking for the right address.
To suffer is one thing; another thing is living with the photographed images of suffering, which does not necessarily strengthen conscience and the ability to be compassionate. It can also corrupt them. Once one has seen such images, one has started down the road of seeing more - and more. Images transfix. Images anesthetize.
A lot of people say you always come back to what you are good at. Football has been 25 years of my life, so maybe I'll come back to it in some sort of way.
I always said that I took a lot energy, a lot of time for me to recover and come back to the sport and join back in F1, but I would like to stay.
All the stories I have told you are finally as useless as all ancient knowledge is to man and to us. Its images and its poetry can be beautiful; it can make us shiver with the recognition of things we have always suspected or felt. It can draw us back to times when the earth was new to man, and wondrous. But always we come back to the way the earth is now.
So what I'm trying to say is you should text me back. Because there's a precedent. Because there's an urgency. Because there's a bedtime. Because when the world ends I might not have my phone charged and If you don't respond soon, I won't know if you'd wanna leave your shadow next to mine.
It always comes back to the same necessity: go deep enough and there is a bedrock of truth, however hard.
Most of the early Christian writers thought the text "I and my Father are one," was to be understood of an unity or harmony of disposition only. Thus Tertullian observes, that the expression is unum , one thing, not one person; and he explains it to mean unity, likeness, conjunction, and of the love that the Father bore to the Son. Origen says, "let him consider that text, 'all that believed were of one heart and of one soul,' and then he will understand this, 'I and my Father are one".
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