A Quote by Jeff Vandermeer

I believe the best creative writing lessons live in the specifics. — © Jeff Vandermeer
I believe the best creative writing lessons live in the specifics.
Creative writing lessons can be very useful, just like music lessons can be useful. To say, as Hanif Kureishi did, that 99.9% of students are talentless is cruel and wrong. I believe that certain writers like to believe they arrived into the world with special, unteachable powers because it is good for the ego.
[Donald] Trump has quietly rolled out an immigration plan with specifics and everyone wants specifics. He's got immigration with specifics, a black and Hispanic outreach plan with specifics.
I don't really believe in a creative-writing major as an undergraduate. It's a bad idea, terrible. I've met creative-writing majors from other places and they don't know a goddamn thing. They're the worst students. They just think they're good because they could pass.
You can take lessons to become almost anything: flying lessons, piano lessons, skydiving lessons, acting lessons, race car driving lessons, singing lessons. But there's no class for comedy. You have to be born with it. God has to give you this gift.
I knew I wanted to do something creative, and you don't necessarily go to Harvard to do that. It's not the best choice for creative writing.
In high school, I started training, singing with choirs, and getting voice lessons and doing a lot of creative writing and decided that that's really what I wanted to pursue as a career, and that's what I was going to study.
Don't you think it's rather nice to think that we're in a book that God's writing? If I were writing a book, I might make mistakes. But God knows how to make the story end just right--in the way that's best for us." Do you really believe that, Mother?" Peter asked quietly. Yes," she said, "I do believe it--almost always--except when I'm so sad that I can't believe anything. But even when I don't believe it, I know it's true--and I try to believe it.
To me there is no such thing as creative writing. It's either good writing, whatever the subject, or it's not creative.
When it comes to improv, Specifics beget specifics.
For a while the creative writing community sort of sprung out of places like Iowa and Syracuse. The graduates sort of went out, and they would found creative writing departments in the little colleges where they went, and then some of those would found other ones. I mean every college has got a creative writing department, so where are the jobs coming from? There are not any jobs out there.
The best way to get trained is to get mentored - live or by reading or watching videos by masters. That way, you start executing based on lessons from the best.
A military preparedness strategy with specifics yesterday and today rolls out a school of choice plan with monetary specifics. So [Donald Trump] has pivoted over the last, he had a very rough go after the conventions.
I work in a dramatic context, meaning we write with a lot of character specifics, a lot of story specifics. There's a lot of architecture in our songs.
Lessons that come easy are not lessons at all. They are gracious acts of luck. Yet lessons learned the hard way are lessons never forgotten.
The high-school English teacher will be fulfilling his responsibility if he furnishes the student a guided opportunity, through the best writing of the past, to come, in time, to an understanding of the best writing of the present. He will teach literature, not social studies or little lessons in democracy or the customs of many lands. And if the student finds that this is not to his taste? Well, that is regrettable. Most regrettable. His taste should not be consulted; it is being formed.
You learn best by reading a lot and writing a lot, and the most valuable lessons of all are the ones you teach yourself.
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