A Quote by Jeff Vandermeer

I do believe very much in the idea of unexpected or 'convulsive' beauty - beauty in the service of liberty. — © Jeff Vandermeer
I do believe very much in the idea of unexpected or 'convulsive' beauty - beauty in the service of liberty.
I do believe very much in the idea of unexpected or "convulsive" beauty - beauty in the service of liberty.
I think it is really helpful to see the beauty in every situation. I guess it's being able to see it in unexpected places. If you're fed too much of an image of what beauty is then you might define it as a certain specific thing, but when you have your own idea of what it is, or your own feelings of what beauty is, then it becomes so wide and so indefinable.
Happily there exists more than one kind of beauty. There is the beauty of infancy, the beauty of youth, the beauty of maturity, and, believe me, ladies and gentlemen, the beauty of age.
I don't think the possibility for beauty can be foreclosed, because beauty can take so many forms. There is beauty that arises from the unexpected, when our familiar perspectives are thrown off balance. There is also the beauty that paradoxically comes out of the tragic, that emerges because we are reminded of what is no longer there, that becomes powerful because of what is absent.
I think the idea of the social construction of beauty - this idea that beauty is simply whatever culture or society says it is - is on the run. Of course, beauty does arise in a cultural context. No one ever denies that. But there's also a natural response people have to it.
Beauty means a lot of different things to a lot of different people. A lot of different ways in which things can be beautiful. But this really has a very specific meaning and which is more along the lines of elegance which is that we say an idea is beautiful or elegant in mathematics or physics if a very simple principle or a very simple idea, or simple set of ideas, turns out to be very powerful and leads to all sort of unexpected structure and unexpected predictions.
We desire to possess a beauty that is worth pursuing, worth fighting for, a beauty that is core to who we truly are. We want beauty that can be seen; beauty that can be felt; beauty that affects others; a beauty all our own to unveil.
Beauty is like a train that ceaselessly roars out of the Gare de Lyon and which I know will never leave, which has not left. It consists of jolts and shocks, many of which do not have much importance, but which we know are destined to produce one Shock, which does...The human heart, beautiful as a seismograph...Beauty will be CONVULSIVE or will not be at all.
The idea that beauty is unimportant or a cultural construct is the real beauty myth. We have to understand beauty, or we will always be enslaved by it.
When you see beauty all around you, beauty will seek and find you, even in the most unexpected places.
Beauty saves. Beauty heals. Beauty motivates. Beauty unites. Beauty returns us to our origins, and here lies the ultimate act of saving, of healing, of overcoming dualism.
I really do believe that inner beauty is so much more than any kind of outer beauty.
Unfortunately, moral beauty in art - like physical beauty in a person - is extremely perishable. It is nowhere so durable as artistic or intellectual beauty. Moral beauty has a tendency to decay very rapidly into sententiousness or untimeliness.
People talk so much to me about the beauty of confidence. They seem to entirely ignore the much more subtle beauty of doubt. To believe is very dull. To doubt is intensely engrossing. The Apostle Thomas was artistic up to a certain point. He appreciated the value of shadows in a picture. To be on the alert is to live. To be lulled into security is to die.
I think beauty is youth; it's energy. I'm attracted to imperfection, style, confidence, and experimentation. So beauty, to me, is really a lot of things. It's kind of unexpected-what surprises you.
I paint and work as a sculptor, and I see architecture as an art... If you follow this approach you can use techniques to the service of man and to the service of an artistic idea, and beauty.
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