A Quote by Jefferson Han

Multi-touch-sensing was designed to allow nontechies to do masterful things while allowing power users to be even more virtuosic. — © Jefferson Han
Multi-touch-sensing was designed to allow nontechies to do masterful things while allowing power users to be even more virtuosic.
Information and communications technology unlocks the value of time, allowing and enabling multi-tasking, multi-channels, multi-this and multi-that.
If the users don't control the program, the program controls the users. With proprietary software, there is always some entity, the "owner" of the program, that controls the program and through it, exercises power over its users. A nonfree program is a yoke, an instrument of unjust power.
I don’t think that anyone has really told (people) what design is. It doesn’t occur to most people that everything is designed--that every building and everything they touch in the world is designed. Even foods are designed now. So in the process of helping people understand this, making them more aware of the fact that the world around us is something that somebody has control of, perhaps they can feel some sense of control, too. I think that’s a nice ambition.
Neural implants could accomplish things no external interface could: Virtual and augmented reality with all five senses; augmentation of human memory, attention, and learning speed; even multi-sense telepathy - sharing what we see, hear, touch, and even perhaps what we think and feel with others.
Never allow someone to be your priority while allowing yourself to be their option.
That's what Judith Herman is saying, and she's absolutely right. Power then breeds an intensification of all because the power can never be absolute power - to some extent it's stymied - but the isolation while in power becomes even more dangerous. Think of it as a vicious circle. The power intensifies these tendencies and the tendencies become more dangerous because of the power.
On engagement, we're already seeing that mobile users are more likely to be daily active users than desktop users. They're more likely to use Facebook six or seven days of the week.
What connects architecture and music is that neither one is really an object. It's more like an ambience, a surrounding and a context. You can do other things while you're listening to music and of course, you can do other things while you're in the middle of architecture. The notion of multi-attention seems to me like it's the keynote to the beginning of the 21st century.
With Digg, users submit stories for review, but rather than allow an editor to decide which stories go on the homepage, the users do.
We can no longer allow multi-nationalists to parade as agents of progress and democracy in the newspapers, even as they subvert it at the workplace.
For anyone with the traits - of feeling himself victimized, of seeking to be the strongman who resolves everything, yet sees truth only through his own self and negates all other truth outside of it - is bound to become more malignant when he has power. Power then breeds an intensification of all this because the power can never be absolute power - to some extent it's stymied - but the isolation while in power becomes even more dangerous. Think of it as a vicious circle. The power intensifies these tendencies and the tendencies become more dangerous because of the power.
Even those who claim the Bible's inerrancy make distinctions between Scriptural edicts, sensing that some passages - the Ten Commandments, say, or a belief in Christ's divinity - are central to Christian faith, while others are more culturally specific and may be modified to accommodate modern life.
My eyes already touch the sunny hill. Going far ahead of the road I have begun. So we are grasped by what we cannot grasp; it has inner light, even from a distance- and charges us, even if we do not reach it, into something else, which, hardly sensing it, we already are; a gesture waves us on answering our own wave... but what we feel is the wind in our faces.
This is an extraordinary book of unique psychological power. It reveals not only scholarship and sophistication of the author, but deep and intimate knowledge of the recesses of the human psyche. By masterful juxtaposition of evocative images, poetry, and selected quotes from scholars, Flesh and Blood seems to engage both the right and left hemispheres in an unprecedented dialogue. The result is a multi-dimensional, almost holographic picture of the primordial foundations of the human mind.
You have nothing. One should never allow themselves to think that they have, one can just touch - to have is to lack appreciation, to touch is to want to touch again.
While There may be power in forgiveness, there is even more power in lobbing a Molotov cocktail through someone's dining room window.
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