A Quote by Jefferson Mays
I try to inhabit each of the characters as fully as I can, however short-lived they are. But most of my show happens offstage.
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Even in horror novels where you know most characters aren't going to make it to the end, it's crucial to have fully fleshed-out characters. If you don't do that, the reader doesn't care what happens to them.
Part of the success of the show is that the audience sees themselves in the characters, becomes the characters. The more they inhabit the characters, the more they see
Part of the success of the show is that the audience sees themselves in the characters, becomes the characters. The more they inhabit the characters, the more they see.
Some TV shows are like really good novels in that there are enough episodes that you start to have your own feelings about how the characters should act. When the scriptwriters go slightly wrong, when they make the character make a left turn that he or she wouldn't do, you know enough about the characters to say, "No, that's not what she would do there. That's wrong." You can actually argue with a TV show in a way that you can't do as much with movie - you inhabit a TV show in the way you inhabit a novel.
Short of a small range of physical acts-a fight, murder, lovemaking-dialogue is the most vigorous and visible inter-action of which characters in a novel are capable. Speech is what characters do to each other.
Since most of the action of the war actually happens off the page (offstage), I wanted to give the characters something they had to contend with on a daily basis, some sort of obstacle. Weather seemed to be the one great equalizer regardless of your station in life - when it snows, everyone is inconvenienced to a certain degree. Plus it's tactile, weather, it affects the skin.
I talk about Breaking Bad being the most brilliant show ever, and even minor characters have subtle nuances and are fully drawn.
One thing about our show that wasn't even in my awareness, but was brought to my attention by other people, is that our show is about these love-based relationships. Even though the characters are obviously going through different conflicts, you can really feel that the characters love each other. And they really try their best.
If we want to be able to move through the difficult disappointments, the hurt feelings, and the heartbreaks that are inevitable in a fully lived life, we can't equate defeat with being unworthy of love, belonging and joy. If we do, we'll never show up and try again.
For us, a lot of the cartoon and crazy stuff on 'F Is for Family' is tertiary characters; it happens on the television in the show. We try to keep whatever problem the Murphy family is dealing with rooted as much as we can in reality.
It is the purpose of life that each of us strives to become actually what he or she is potentially. Each photographer, then, should be obsessed with stretching towards that goal through an understanding of others and the world we inhabit. When that happens, the results, like photographs, are really the expressions of the life of the maker.
Powder snow skiing is not fun. It is life, fully lived, life lived in a blaze of reality. What we experience in powder is the original human self, which lies deeply inside each of us, still undamaged in spite of what our present culture tries to do to us. Once experienced, this kind of living is recognized as the only way to live — fully aware of the earth and the sky and the gods and you, the mortal, playing among them.
I care very much about all of my characters, recurring or not. I try to imagine something about that person beyond his or her physical appearance. After creating them, part of my job is to inhabit them and try to see their world from their perspective.
Even the most subjected person has moments of rage and resentment so intense that they respond, they act against. There is an inner uprising that leads to rebellion, however short- lived. It may be only momentary but it takes place. That space within oneself where resistance is possible remains.
Most stories in 'True Blood' take place over a short amount of time. I think the entire three seasons of the show have only spanned a month and a half of those characters' lives.
The most interesting thing to me is that 'The Walking Dead' is a show that reinvents itself every eight episodes. It's an evolving landscape. There are characters that die. There are characters that stay on. There are characters that go away. I love that.
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