A Quote by Jefferson Mays

The beauty of performance for me is finding details with which to betray character. — © Jefferson Mays
The beauty of performance for me is finding details with which to betray character.
You have to respect who the character is. It has its own internal truth, and you can't betray that. And if you don't betray that, it will not betray you.
It's - you know, acting's all about relatability and finding empathy for a character, which is essentially, kind of, you're finding empathy with a part of yourself, which is a part of a character that was written by someone else, which was essentially kind of a part of them as well because it was a voice in their head they wrote down.
Performance capture, for me, is finding the essence of a performance.
I fell in love with the process of taking pictures, with wandering around finding things. To me it feels like a kind of performance. The picture is a document of that performance.
There is nothing in which people more betray their character than in what they laugh at.
The most important beauty is not that with which you were born, but the beauty of character which grows through a woman's life and maybe never stops growing.
I don't know whether it is a boon or a bane but I can't act. I can just be. To me, that's the beauty of a performance. Otherwise, there is a falsetto, which sounds jarring.
If a woman comes out saying she has been abused or assaulted, we should not start finding flaws in her character or try to dig up her past for murky details.
I'm interested in really particular details, ideas, thoughts, and emotions, yet it's defused with performance, where you can play with hiding things, or be more confrontational about something shielded. There is this process of layering in performance.
But he kept finding new pockets of shallow inside himself. He kept finding new ways to betray her.
Finding beauty in a broken world is creating beauty in the world we find. For me, we find this beauty through relationships, with people in place with other species. Integrity is the word that comes to mind. Integrity and presence.
There are three sorts of pleasures which are advantageous, and three which are injurious. Finding pleasure in the discriminating study of ceremonies and music, finding pleasure in discussing the good points in the conduct of others, and finding pleasure in having many wise friends, these are advantageous. But finding pleasure in profligate enjoyments, finding pleasure in idle gadding about, and finding pleasure in feasting, these are injurious.
I can't betray anyone. I don't know what it's like to really betray someone. I'm very loyal to my circle, my family, and those I hold close to me.
The reasons which any man offers to you for his own conduct betray his opinion of your character.
But why do you want to talk to me?' He is going to say: 'Because you look so kind,' or 'Because you look so beautiful and kind,' or, subtly, 'Because you look as if you'll understand....' He says: 'Because I think you won't betray me.' I had meant to get this mean to talk to me and tell me all about it, and then be so devastatingly English that perhaps I should manage to hurt him a little in return for all the many times I've been hurt.... 'Because I think you won't betray me, because I think you won't betray me....' Now it won't be so easy.
There's different ways of getting into character. There's what's called 'the outside,' in which is finding the physicality of the character first. To give an example, in 'Gettin' Square' - Johnny Spitieri - that's how I found that character. I knew those people that I'd seen up at Kings Cross. I knew how they sounded.
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