A Quote by Jeffree Star
The cat eye is one of my favorites to rock because you can do so much with it from a thicker, bold look to the thin, simple black line. I sometimes even step it up a notch by adding colored liner or glitter to keep it fun and unique!
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Black liner around the eye makes your eyes look smaller. I think you should reassess, if you're a really big black liner user, maybe even just doing the top line, not lower, or try a brown or a plum or even a navy.
Black liner looks harsh on me because I'm so blond, so I do a brown liner with a black mascara. My favorite is 'L'Oreal Voluminous' on my top and bottom lashes. For a while, I only did mascara on the upper lashes, but it makes me look too pretty.
During the day I still go full coverage but I normally go light on the eyes. That said I tend to wear a cat-eye liner look and I never leave the house without my lips on!
I think sometimes we give people a lot of credit just because they're writing nice sentences even if it isn't adding up to much.
I love liquid eyeliner - it's just easier. It doesn't melt, fade, skip, or smudge. It's tougher to use because it's not as forgiving. The brush for my em michelle phan Scribble Calligraphy Liquid Liner was inspired by a calligraphy brush, so you can get a very thick or thin line, depending on how you flick it. I use it in Tattoo Black.
[Dennis Mathis] was very sensitive about keeping the unique way that I spoke English - it had a lot of Mexicanisms or Mexican syntax. So you keep it in because it's adding something unique.
In a way, 'Sin City's designed to be paced somewhere between an American comic book and Japanese manga. Working in black and white, I realized that the eye is less patient, and you have to make your point, and sometimes repeat it. Slowing things down is harder in black and white, because there isn't as much for the eye to enjoy.
In a way, 'Sin City''s designed to be paced somewhere between an American comic book and Japanese manga. Working in black and white, I realized that the eye is less patient, and you have to make your point, and sometimes repeat it. Slowing things down is harder in black and white, because there isn't as much for the eye to enjoy.
I wear a lot more glitter around the holidays, so I'm always wearing different glitter nail polish or fun metallic eye shadow. It's the holidays - everything is more twinkly and celebratory.
I sometimes apply eyeliner - Giorgio Armani Smooth Silk Eye Pencil in #1 Black - and smudge it with my fingers really quickly to give it a little lift, almost a cat eye. It's all about giving a lift now.
Less is more when you do a bright, bold lip. Just draw on black liner and some mascara and you're good to go!
I never wanted to grow a thicker skin; I felt a real sense of pride in my thin skin, and in a weird way, I still do, because it's my thin skin that allows me to empathize with other people. It's the thing that allows me to create vulnerable art. It's the thing that allows me to create other feelings and make songs that actually grab people and touch people. I feel like I've spent my life fighting that thicker skin because I don't want to become an embittered asshole.
I love creme liner because I have lash extensions and sometimes the liquid liner can get into the lashes. It's also easier to guide. I can create straighter lines with it.
For my eyes, I wear a very thin line of black eyeliner just to lengthen the eye, and I almost never wear mascara; I like natural lashes.
For me, lipstick itself is an accessory. I like red, but I really have to be in the mood for it because it makes my lips look really big. I usually will match it with my outfit. I also love a good lip liner - I'm telling you, when I put on the lip liner, it just makes them look even better. I'll do everything. I want big, big, big.
I've got evil in me as much as anyone, some desires that scare me. Even if I don't give in to them, just having them scares the living bejesus out of me sometimes. I'm no saint, the way you kid about. But I've always walked the line, walked that goddamned line. It's a mean mother of a line, straight and narrow, sharp as a razor, cuts right into you when you walk it long enough. You're always bleeding on that line, and sometimes you wonder why you don't just step off and walk in the cool grass.
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