A Quote by Jeffrey Dean Morgan

I have this weird allergy where metal can't touch my skin. — © Jeffrey Dean Morgan
I have this weird allergy where metal can't touch my skin.
I never wanted to grow a thicker skin; I felt a real sense of pride in my thin skin, and in a weird way, I still do, because it's my thin skin that allows me to empathize with other people. It's the thing that allows me to create vulnerable art. It's the thing that allows me to create other feelings and make songs that actually grab people and touch people. I feel like I've spent my life fighting that thicker skin because I don't want to become an embittered asshole.
Only 1 to 2 percent of adults have a real food allergy. This gluten thing is a... whatever. It's not an allergy for most people.
I used to wake up at 4 A.M. and start sneezing, sometimes for five hours. I tried to find out what sort of allergy I had but finally came to the conclusion that it must be an allergy to consciousness.
The weird thing about metal fans is we're all so maladjusted in a lot of ways. We're individualistic and opinionated and severe in our personalities - sometimes we really turn each other off. A little bit of a metal fan goes a long way.
Metal isn't necessarily aggressive. There's metal that's contemplative, there's metal that's sad, and there's metal that's exuberant. No genre is limited in what it can express.
I hardly follow the Finnish metal scene at all at the moment. I'm more interested in traditional '80s heavy metal, and I'm still a little scared of black metal and death metal and their provocative imagery.
I wasn't that wild about that. I told them basically if they were really going to want to bring back heavy metal to a program on MTV, then they are really going to have to get in touch with what real heavy metal is.
That's why I think it hurt us, whereas these other bands [I'm assuming he means the other Big 3 -Slayer, Megadeth, Metallica] they kept doing their thing, just METAL. METAL. METAL. METAL. We didn't do that, we took a little but of a turn.
It's the sense of touch. In any real city, you walk, you know? You brush past people, people bump into you. In L.A., nobody touches you. We're always behind this metal and glass. I think we miss that touch so much, that we crash into each other, just so we can feel something.
Each metal has a certain power, which is different from metal to metal, of setting the electric fluid in motion.
There is here a great melting pot in which we must compound a precious metal. That metal is the metal of nationality.
There's real potency in metal. Metal fans love metal as if it's a nation they would fight for. It's not diluted by pop culture.
My attitude was always, if you are a huge metal fan, the more dedicated and more obsessive a metal fan you are, then why wouldn't you like more metal, widen your net, and include hair metal?
At some point in your career, someone is going to tell you, "This stove is hot. Do not touch this stove." And the weird thing is, you'll want to touch it. But resist that urge, man.
Bands like Metallica never sat around and said, 'We're speed metal,' or 'We're thrash metal.' If it feels good at the end of the day, to me, that's metal.
My theory about L.A. is that it's almost like you have an allergy that's dormant and just need to be put in the right context for that allergy to come out. And L.A.'s like that in my mind. People who have any of that dormant blind ambition, it can easily come out in that context.
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