A Quote by Jeffrey Dean Morgan
I love the challenge of having an audience know what you're thinking without having to tell the audience what you're thinking.
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The secret is to let the audience feel through the actress, rather than having the actress feel for the audience. When you can do that, you involved the audience almost without their knowledge or awareness.
He's a fantastic actor, Kelsey Grammer. You don't have that kind of career without having a talent, without having something to say and to give to an audience.
My audience doesn't agree with me on everything, but I love my audience, because they're totally okay with us having a dialogue.
When I'm shooting, really the audience I'm thinking the hardest about is that first test screening audience who I want to like the film and that first opening weekend audience.
Without love it is like having a good song without an audience.
It's very strange to go from being completely secluded and doing your own work for yourself, to having an audience - and having an audience that's aware of what you do and expects you to do things that they like. It can make things difficult.
When you tell a story that you know is having an effect on the audience, that, for me, is the transforming thing.
I know that might sound silly coming from someone my age, but I remember on my 14th birthday having a crisis like my mom should be having. I kept thinking that I was getting older, and I haven't really accomplished anything. I remember thinking that I better accomplish something real soon.
I think it's the responsibility of a major opera house not only to cultivate debate and get people thinking, but also to be interfaced with things that challenge them. To challenge its audience and not just deliver things that they know, even though some of those things are wonderful.
You can make a film in a way that, when the audience leaves the theater, they leave with certain answers in their head. But when you leave them with answers, you interrupt the process of thinking. If, instead, you raise questions about the themes and the story, this means that the audience is on its way to start thinking.
I've spent a lot of time thinking about what the audience would want. That's my job, is to anticipate ahead of the audience.
The way you survive in the performing arts is by having a sense of your audience, and doing things which entertain and satisfy the audience, but in a more important way, cause the audience to question many things.
The TV audience is way bigger than a book audience, and no matter what I do, I'm always thinking if this will help people read my books.
I'm comfortable having a specific audience to write to. I like the idea that my audience doesn't see what I do as controversial.
Do you need an audience to create work, or does not having an audience liberate you and make you a truer artist?
Controversial issues are always more interesting but I don't create material about a subject I have opinion on just because it's controversial. The most fun is having a point of view that the audience is generally against and presenting an argument that challenges their thinking.
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