A Quote by Jeffrey Dean Morgan
I go to Comic-Con every year, generally with some project of some sort.
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Every Comic-Con, they have some sort of 'Dr. Horrible' panel. It's very cool!
This is not to be cocky, but, I go over real well at Comic-Con. I've done quite a few Comic-Cons, and I enjoy the hell out of them. They are so much fun, and so bizarre. I've done the FX Show in Florida, Wizard-World in Chicago, Comic-Con in San Diego, Wonder-Con in San Francisco, the Comic-Con in New York, and I've done them numerous times.
It's not Comic Con any more. It's this huge marketplace for the motion picture and television industry. And the toy manufacturer's and the game people. One of the problems with International Comic Con is that tickets go on sale for the next year's event and the place is full of thousands and thousands of kids who have scraped together every dime to get admittance because they want to get all the freebies.
Comic-Con is always something that we- we love Comic-Con and we generally have a big presence there. So we usually have something to say there, and just as things come together.
I grew up in a small town in Kansas, so I love meeting the fans. Those are the people who spend time out of their day to watch the things that I've done, and I've gotten to do some great supernatural stuff - 'Teen Wolf' and 'The Gates' before that - so it's nice when I get to go to Comic-Con every year.
I think Hollywood has seen what fandom can do for a project. You can definitely see that when you go to Comic-con.
Comic-Con is interesting because there's so much going on at once, it's literally impossible to do everything. You need clones and some sort of hoverboard so you can surf over the crowd of packed-in nerds.
I think that people have some sort of vision that everybody is moving towards perfection, and that there is some sort of set steps or something like that that you can move through to get to that place, and that that's sort of the project of being alive.
The difference between a GOP convention and Comic-Con is that the people at Comic-Con have a much firmer grasp of reality.
Some go to church to take a walk; some go there to laugh and talk. Some go there to meet a friend; some go there their time to spend. Some go there to meet a lover; some go there a fault to cover. Some go there for speculation; some go there for observation. Some go there to doze and nod; the wise go there to worship God.
If I could have somehow been the kind of artist who could crank out two or three issues a year, that's different. That's sort of what it's all about, to get this thing out so that there's some kind of continuity. But to do a comic book every year or two was just so anti-climactic.
Part of me wants a bunch of jocks to go to Comic-Con and call them all dweebs so they can be like, 'Pump the brakes a little bit.' But that said, it's all positive. It's just, of course, I'm going to find some cynicism in it.
Gay bars in America aren't weird sex clubs. They're sanctuaries. I know so many straight friends that go to gay bars more than I ever do, male and female, because they can go there and be social and there's no expectation there. It's a safe place. It's almost like the real world version of Comic-Con in some places. You can go without judgment.
About every year or two, there is a moment of truth where there's some new development in the marketplace, some new technology, some sort of existential crisis. You just have to be vigilant about looking out for those moments.
I had been at Comic-Con, and I have the same manager as Bob Morley, so we ended up at a Warner Bros. party. I met Jason Rothenberg for the first time, and he's a fan of Black Sails and Shameless and some of my work, and was like, "Hey, we've been having trouble casting this part. I think you'd be perfect for it, if you'd be willing to come up and have some fun for some episodes."
I understand the people-watching, but I've never done it where people have to race to three different shows, from here to there. I mean, the biggest zoo I ever faced was Comic Con, and Comic Con takes place in one big hangar.
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