A Quote by Jeffrey Deitch

To be in Brazil and see the work of Os Gêmeos or to be in England and see what Banksy is doing is pretty fascinating to me. — © Jeffrey Deitch
To be in Brazil and see the work of Os Gêmeos or to be in England and see what Banksy is doing is pretty fascinating to me.
Rumours of me being Banksy are greatly exaggerated. We are all Banksy.
You see me in my most virile moment when you see me doing what I do. When I am directing, a special energy comes upon me. ... It is only when I am doing my work that I feel truly alive. It is like having sex.
I am unable to comment on who may or may not be Banksy, but anyone described as 'good at drawing' doesn't sound like Banksy to me.
That's how powerful you are, girl...You pretty, but pretty alone is not what people see. You the kinda pretty, the kinda beauty, that's like a mirror. Men and women see themselves in you, only now they so beautiful that they can't bear to see you go.
I like to see how other people work and be part of their stuff and see what I can do to be part of their worlds. Its a pretty big challenge, and that excites me.
When you look at Banksy's work as a catalogue of ideas, it's undeniably brilliant. Going back to my days doing stencil work back in the 80s I knew that it wasn't exactly the most demanding work: it's like printing, but then Warhol was a printer.
Seeing a photograph of myself is often pretty jarring. Why is it that the vision I see of myself in a photo is so different than the one I see in a mirror - not to mention the "self" that I see in my mind's eye? Pondering it can pretty easily cast me into a vortex of self-doubt, wondering how the me that people experience - my voice, my personality, my creative expression - is regarded without my knowledge.
It must have been fascinating for Bono to have Johnny Cash do a cover of his song, and hear how he translates the words that he has used. And it would be fascinating to see a great director do his take on my work.
I think the perception of me can be, you know, confused. But that's only because people only see that side of me when I'm at work, in front of the camera. So they don't see Miranda at home; they don't see behind the scenes. They see the glamour of it all but they don't see Miranda standing barefoot in a dirty old house.
When I heard the news of Waldemar de Carvalho issuing a ruling to approve gay conversion therapy in Brazil, after it was banned for nearly 20 years, my heart broke. So many of my fans and supporters live in Brazil and it pains me to see them not feel legitimized for who they are and who they are attracted to.
I think that's what the most fascinating part of getting to know someone is - to see how they do things, and how their way of doing things is different from your way of doing things, and the fun of trying to do it their way and to see what value there is in looking at things from their perspective.
I flew to England to see the rough cut of 'Revolutionary Road.' I was quite moved. As a married man, it's kind of disturbing to see a couple try so hard to work things out and fail so miserably.
I don't feel like I have anything to prove to the fans in England - but I know that in England they did not see the best of me.
The first person who showed me that I could be a maker of music was one of my best friends. It's like, you can't see yourself doing something until you see somebody else doing it. Other people were encouraging me singing, but this was the first time that I could see myself writing songs and playing guitar.
I want to see craggy old faces on the telly. I find them infinitely more fascinating than pretty young ones.
I think the perception of me can be, you know, confused. But thats only because people only see that side of me when Im at work, in front of the camera. So they dont see Miranda at home; they dont see behind the scenes. They see the glamour of it all but they dont see Miranda standing barefoot in a dirty old house.
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