A Quote by Jeffrey Deitch

I was a fan of Andy's since I was a small kid. I recall seeing an ad of famous people on an airplane together. It was caricature drawing. There was Muhammad Ali, there was Miles Davis, and there was Andy Warhol. I had a fascination with him since I was little.
One thing about Andy Warhol that was remarkable and also key to his widespread appeal is that he was so open! He would get on the phone and talk to the kid who called to say he was a fan - you know, Andy would walk from his house every morning down to the Factory carrying a bunch of Interviews - people would stop him and he would sign them, and what have you.
I believe that Ryan Murphy is a genius. His instincts remind me of Andy Warhol. I recently went to the Warhol museum in Pittsburgh, and you can see a lot of echoes of Andy in Ryan's work. Like Andy, Ryan's finger is so on the pulse of culture that he's ahead of culture. Their aesthetic and their vision of the world are very similar.
I believe that Ryan Murphy is a genius. His instincts remind me of Andy Warhol. I recently went to the Warhol museum in Pittsburgh, and you can see a lot of echoes of Andy in Ryan’s work. Like Andy, Ryan’s finger is so on the pulse of culture that he’s ahead of culture. Their aesthetic and their vision of the world are very similar.
Cecil Beaton was Andy Warhol before Andy Warhol, really.
Andy Warhol: I think everybody should like everybody. Gene Swenson: Is that what Pop Art is all about? Andy Warhol: Yes, it's liking things.
Andy wasn't capable of any complicated thoughts or ideas. Ideas need a verb and a noun, a subject. Andy spoke in a kind of stumbling staccato. You had to finish sentences for him. So Andy operated through people who could do things for him. He wished things into happening, things he himself couldn't do.
Well, I wouldn't say that this experience had any influence on my decision to do this film about Andy, because Andy was apolitical. Andy was never political.
Andy [Warhol] was on the scene, but he wasn't an artist at first; he was more an illustrator. He was always surrounded by about ten people who worshipped him. He'd go to a party and they would all come along. But he was drawing shoes and that sort of thing.
I took photos from 1976 to when I left in 1993, primarily for Interview and a column I had called "Bob Colacello's Out" which Andy had conceived of. I've never taken a picture since, not even with my phone! It just felt too Andy Warhol to keep going around town taking photographs. And I never really thought of doing anything with them after I left the magazine until this great Art Director Sam Shahid about for or five years ago asked where all of the old photos were.
He [Andy Warhol] engaged people and I think all of that is what helped keep him keyed in to the times beyond all of the celebrity stuff that was going on around him. He was much more like a fan than a celebrity himself.
Andy Warhol made fame more famous.
I'm a poet born in the era of Andy Warhol and a generation that wanted to be famous.
The most famous living artist in America is Andy Warhol, unfortunately.
Andy Rourke and I had been playing together from 14 or 15, and we had a very great musical chemistry. Andy's just a very respected and unusual musician.
Muhammad Ali was a god, an idol and an icon. He was boxing. Any kid that had the opportunity to talk to Ali, to get advice from Muhammad Ali, was privileged. He's always given me time to ask questions, although I was so in awe that I didn't ask questions.
Andy Warhol says everyone will be famous for 15 minutes in the future, but even he couldn't have imagine today's fame is due to whom you sleep with.
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