A Quote by Jeffrey Deitch

Andy Warhol defined Pop Art. — © Jeffrey Deitch
Andy Warhol defined Pop Art.
Andy Warhol: I think everybody should like everybody. Gene Swenson: Is that what Pop Art is all about? Andy Warhol: Yes, it's liking things.
Take an exhibit, in the days when we saw the Pop art - Andy Warhol and all that - tomato soup cans, etc., and coming home, you saw everything like A. Warhol.
Cecil Beaton was Andy Warhol before Andy Warhol, really.
I believe that Ryan Murphy is a genius. His instincts remind me of Andy Warhol. I recently went to the Warhol museum in Pittsburgh, and you can see a lot of echoes of Andy in Ryan's work. Like Andy, Ryan's finger is so on the pulse of culture that he's ahead of culture. Their aesthetic and their vision of the world are very similar.
I believe that Ryan Murphy is a genius. His instincts remind me of Andy Warhol. I recently went to the Warhol museum in Pittsburgh, and you can see a lot of echoes of Andy in Ryan’s work. Like Andy, Ryan’s finger is so on the pulse of culture that he’s ahead of culture. Their aesthetic and their vision of the world are very similar.
That is what [Andy] Warhol portraits do: They elevate the subject into an icon of the pop culture he was documenting.
There's a famous artist, Ron English, in New York, that just, or Andy Warhol for that matter, that did pop art that terrorized society. And that's, for the last like 10, 15 years, that's all I wanted to do, is terrorize society and make them look into a mirror and see what the hell we have wrought.
Every time I work with Dr. Luke I learn something new. He's kind of like the Andy Warhol of pop music, where he mass produces his art but it always still has heart and always still has an emotional thread to it. I think he's really a genius and I'm so lucky to have gotten to work with him.
I've collected Andy Warhol art for years now I have two portraits of myself done by Steve Kaufman.
When I went to college, and I went to art school, I started to realize that Warhol was cool and that pop art was fun.
For my art GCSE, I did a screen print of the Queen's head that was basically an Andy Warhol rip-off, but I didn't realise.
Ever since Marcel Duchamp appropriated mass market objects and pronounced them 'readymades' and Andy Warhol elevated the Campbell's soup can and Brillo Box to art, artists and designers have been blurring the lines between fine art and commerce.
It's high time for the art world to admit that the avant-garde is dead. It was killed by my hero, Andy Warhol, who incorporated into his art all the gaudy commercial imagery of capitalism (like Campbell's soup cans) that most artists had stubbornly scorned.
Warhol and other Pop artists had brought the art religion of art for art's sake to an end. If art was only business, then rock expressed that transcendental, religious yearning for communal, nonmarket esthetic feeling that official art denied. For a time during the seventies, rock culture became the religion of the avant-garde art world.
I was a product of Andy Warhol's Factory. All I did was sit there and observe these incredibly talented and creative people who were continually making art, and it was impossible not to be affected by that.
Andy Warhol's art wasn't that interesting to me. He was more interesting to me as a person. He was art himself. I don't even think he was really into art, per se. He may have liked to do it, but I think he was more into people being into him.
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