A Quote by Jeffrey Deitch

After pop art, graffiti is probably the biggest art movement in recent history to have such an impact on culture. — © Jeffrey Deitch
After pop art, graffiti is probably the biggest art movement in recent history to have such an impact on culture.
I did an art show for Donald Trump at his house in Palm Beach, Florida. It was a bunch of pop art and stuff like that, so I wasn't doing any graffiti at that time, so I'd say from about 2000 to 2006, I wasn't doing any graffiti.
There are many more important things in life than fashion. But fashion, to me, is part of pop culture. And I'm an art collector. I'm obsessed with art and pop culture. And I say that there is fame, fashion, art, music and entertainment, including celebrity, that really moves the needle in society.
Warhol and other Pop artists had brought the art religion of art for art's sake to an end. If art was only business, then rock expressed that transcendental, religious yearning for communal, nonmarket esthetic feeling that official art denied. For a time during the seventies, rock culture became the religion of the avant-garde art world.
Art history is fine. I mean, that's a discipline. Art history is art history, and you start from the beginning and you end up in artist in time. But art is a little bit different. Art is a conversation. And if there's no conversation, what the hell is it about?
Pop culture was in art Now, art's in pop culture in me
Graffiti is art, but you don't see graffiti in the National Gallery. Graffiti is on the street - that's where it belongs.
Art is the suitcase of history, carrying the essentials. Art is the life buoy of history. Art is seed, art is memory, art is vaccine.
What I try to do is defy expectations in terms of boundaries, whether it is high or low art, pop culture, or fine-art culture. My work is about reconciling myriad cultural influences and bringing them into one picture.
We use the term pop in the art world, as in Pop Art, but we forget that its root is popular - popular culture.
After high school I went to the San Francisco Art Institute, and I began a formalized art education where we went through the history of art but we also went through the art of my contemporaries.
Being a musician has actually surrounded and immersed me in pop culture and youth culture from a very young age. But even before I was singing in bands and creating any kind of art, I was always fascinated by pop culture.
There's something retro about the pop culture references in the paintings, so I'd imagine it's not as much a pop culture reference as a pop art reference.
'We Are Pop Culture' is my clothing line for women that started with just T-shirts. The clothing line is urban street wear. It's for women that feel confident in their own skin and want to express themselves. The whole idea is to play with modern pop culture and previous pop culture using art and sayings.
HIP-HOP HAS DIFFERENT ELEMENTS DEALING WITH MUSIC, RAP, GRAFFITI ART, B-BOYS (WHAT YOU CALL BREAK BOYS)... AND ALSO DEALING WITH CULTURE, AND A WHOLE MOVEMENT DEALING WITH WISDOM AND UNDERSTANDING, AS WELL AS PEACE UNITY AND FUN.
Contemporary art is based on that an artist is supposed to go into art history in the same way as an art historian. When the artist produces something he or she relates to it with the eye of an art historian/critic. I have the feeling that when I am working it is more like working with soap opera or glamour. It is emotional and not art criticism or history of art.
I never understood the low art/high art distinction. I think there's real currency in pop culture. We read trashy magazines as much as the next person. So I never saw the point in listening to only one thing. That low art/high art distinction comes from the establishment telling me how I'm supposed to think.
This site uses cookies to ensure you get the best experience. More info...
Got it!