A Quote by Jeffrey Eugenides

Every novelist should possess a hermaphroditic imagination. — © Jeffrey Eugenides
Every novelist should possess a hermaphroditic imagination.
Brings [O'Brian's] achievement to a new height....Such is O'Brian's power to possess the imagination that I found I was living in his world as much as my own, wanting to know what happens next. That is the real test. Any contemporary novelist should recognize in Patrick O'Brian a Master of the Art.
Your imagination is the single most important asset you possess. Your imagination is your power to create mental pictures of things that don't exist yet and that you want to bring into being. Your imagination is what you use to shape your future. And so in your own way, you are a prophet. You generate countless predictions every day. Your imagination is the source,tirelessly churning out mental pictures of what you'll be doing in the future.
I always wanted to be a writer, and I did want to be a novelist. In college I took a couple of classes that taught me I would never be a novelist. I discovered I had no imagination. My short stories were always thinly veiled memoir.
The winners of Nobel Prizes must be assumed to possess at least a modicum of imagination and sensibility, and it is therefore incredible that any of us should not experience at this time a veritable surge of emotion.
That's what a good crime novelist - any good novelist - should do with you: play with your perceptions while showing you everything in plain sight.
Every novelist should write something for children at least once in his lifetime.
Don't be a novelist --- be a statistician. Much more scope for the imagination.
Irish novelist John Banville has a creepy, introverted imagination.
Every Hindu boy and girl should possess sound Samskrit learning.
A woman filled with faith in the one she loves is the creation of a novelist's imagination.
Sigmund Freud was a novelist with a scientific background. He just didn't know he was a novelist. All those damn psychiatrists after him, they didn't know he was a novelist either.
I became a novelist because of 'Gone With the Wind,' or more precisely, my mother raised me up to be a 'Southern' novelist, with a strong emphasis on the word 'Southern' because 'Gone With the Wind' set my mother's imagination ablaze when she was a young girl growing up in Atlanta.
That's like comparing apples with hermaphroditic ground sloths.
Every subject at some phase of its development should possess, what is for the individual concerned with it, an aesthetic quality.
Most of our difficulties, our hopes, and our worries are empty fantasies. Nothing has ever existed except this moment. That's all there is. That's all we are. Yet most human beings spend 50 to 90 percent or more of their time in their imagination, living in fantasy. We think about what has happened to us, what might have happened, how we feel about it, how we should be different, how others should be different, how it's all a shame, and on and on; it's all fantasy, all imagination. Memory is imagination. Every memory that we stick to devastates our life.
It's an imaginative thing we do; it's about immersing oneself in one's imagination. If you're a novelist, you do it with pen and paper. We do it with our bodies.
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