A Quote by Jeffrey Eugenides

Novelists are always resisting autobiographical readings of their work, because they know how false those can be. — © Jeffrey Eugenides
Novelists are always resisting autobiographical readings of their work, because they know how false those can be.
Look, anything any writer writes is going to be on some level autobiographical. Part of the funny/sad thing is that you don't always know how autobiographical you're being.
It's very intuitive, the way that I approach my work. I only buy something that has a pulse. I may not know how I'm going to use it, but I know it has a pulse and it has multiple readings - if I shift it one way or another, it can be read this way or it can be read that way, but both readings are critical and very much ground the work.
Wanting to know all kinds of things is perfect for novelists, because novelists are generalists. We're not specialists in anything, except, hopefully, writing.
There seems to be a tremendous desire among many people now to know authors and how they work, to know what's autobiographical and what isn't.
Even if the experience in my stories is not autobiographical and the actual plot is not autobiographical, the emotion is always somewhat autobiographical. I think there's some of me in every one of the stories.
The stand-up really helped because you know the feeling when something feels true, and you know the feeling when it feels false. You don't ever want to give an actor the feeling of it being false, because you know how unfair that is.
When you write something you know, you're making a story that will work, whether or not there's bits taken. It's always funny to me when people say, 'Well, it's clearly autobiographical,' and I say, 'Well, how do you know my autobiography?' Certainly, there are things that are connected, but I just think it's a very interesting assumption.
All novels must be autobiographical because I am the only material that I know. All of the characters are me. But at the same time, a novel is never autobiographical even if it describes the life of the author. Literary writing is a completely different medium.
How do I know that I know this, except that I've always been taught this and never heard anything else? [...] How sure am I of my own views? Don't take refuge in the false security of consensus, and the feeling that whatever you think you're bound to be okay, because you're in the safely moral majority.
For me, film has been good because I'm able to work at top crack, working at something I love to do, in the only literary form in which you can still make money. There are no famous novelists, not as novelists used to be famous.
People ask, 'Are your things autobiographical?,' and I think, no, they're not autobiographical directly, but of course my life has informed my work.
I love doing the readings. The readings are the fun bits... The readings are probably the things that actually keep me going on these. If I couldn't do the readings, I wouldn't do the [signing] tours. I get to stand up there and read to a bunch of adults who in many cases nobody's read to in years, since they were about five. They just squat on the floor. That's enormously enjoyable.
I do not like the Broadway theatre because it does not know how to say hello. The tone of voice is false, the mannerisms are false, the sex is false, ideal, the Hollywood world of perfection, the clean image, the well pressed clothes, the well scrubbed anus, odorless, inhuman, of the Hollywood actor, the Broadway star. And the terrible false dirt of Broadway, the lower depths in which the dirt is imitated, inaccurate.
I have a theory about marriage, Monsieur Boustouler. And it’s that nearly always you will know within two weeks if it’s going to work. It’s astonishing how many people remain shackled for years, decades even, in a protracted and mutual state of self-delusion and false hope when in fact they had their answer in those first two weeks.
If you want to understand human beings, there are plenty of people to go to besides psychologists.... Most of these people are incapable of communicating their knowledge, but those who can communicate it are novelists. They are good novelists precisely because they are good psychologists.
[On the New Testament:] I ... must enter my protest against the false translation of some passages by the men who did that work, and against the perverted interpretation by the men who undertook to write commentaries thereon. I am inclined to think, when we [women] are admitted to the honor of studying Greek and Hebrew, we shall produce some various readings of the Bible a little different from those we now have.
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