A Quote by Jeffrey Pierce
All actors are looking for that role that's going to define who they are. When it happens, it's a good thing.
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My agent knows what I'm looking for. And I'm also looking for a new agent, too, so I'm putting it out there. Again, I'm not going to turn down every role, because there is no bad role, really. It's all what you bring to the role, but that traditional, 'Stand here and open a rope,' I'm not doing it.
Developing aesthetic sense is vital for actors. They must understand that there is no small role, only small actors. A good actor will do the smallest role to perfection, and be recognised.
I don't see myself as one type of actor. When you get one role, you start to get cast in that role for awhile because that's what people have seen you do, and have hopefully seen you do it successfully. And so, it becomes an easier thing to see you as, for casting directors and directors, and they start to think of you as that particular person or type of character. But, for me, I'm just an actor, first and foremost. The actors I respect are the real character actors, who are the real chameleon actors that completely change from role to role.
People tend to set themselves up in patterns; something happens, it hurts them, then something similar happens, and - it's happened again! It seems much bigger then, and they get worried and go through life looking for that thing, and because they're so concerned and looking for it, when anything that happens resembles that thing, they're sure it's happening again. So sometimes people think things are repeating even when they're not.
When you envy actors, only envy them for their good roles. Keep in mind they have to do a lot of roles to make a living, and not all of them are good. When they're doing a stupid role in a bad production, it's kind of a dumb thing to do when you're an adult. When you're doing a great role that's well-written, it's an enviable job.
Counting the numbers of troops is not going to define our success here.There is no military success, ultimately, to Afghanistan. The Afghans themselves are going to define what happens here. And we have to convince ourselves that we have a strategy in place that empowers them to do that and that is realistic in what our expectations are from them and on what schedule.
I don't look for boyfriends, I don't really scour the awards shows for who I'm going to date, but I think love happens when you're not looking for it, and when it happens, I'm not going to be the one to overthink it.
There are actors who make no decisions about how to play something until they're in the moment, looking into their scene partner's eyes. So they're completely available for whatever happens. And those are actors who tend to avoid getting into patterns.
A lot of young actors have the idea that, "I've got to do this right. There's a right way to do this." But there's no right or wrong. There's only good and bad. And "bad" usually happens when you're trying too hard to do it right. There's a very broad spectrum of things that can inhibit you. The most important thing for actors - and not just actors, but everybody - is to feel loose enough to create what you want to create, and be free to try anything. To have choices.
I've done things that can be made fun of. It's not such a bad thing. If I'm going to end up a role model, then I'd rather not end up being the kind of role model that pretends to be perfect, and pretends that she always has the right thing to say. I'm a product of role models that didn't make me feel like I was as good as them.
I love that process in which there is no safety net. Then the actor also can allow mistakes, because there's no such a thing as a mistake. You're working with good actors, that thing that starts as a mistake becomes actually the life of what is going to follow in the scene. I find that it is fantastic, and for me it is easier than for the actors.
They will take a role that scares them over a role that doesn't. That's another thing I like about actors.
I think age is sometimes just a number. But it's a real joy. Young actors don't come with any of the baggage that we load ourselves up with. They're not worried about their profile, they're not worried about how good they look, or all the nonsense. They just tell the story and ask: "What happens in this scene?" Well, I'll do that then. And professionally it's good for you because it means that you're forced to do the same thing, and that's always a good thing.
The actors I respect are the real character actors, who are the real chameleon actors that completely change from role to role. I love Peter Sellers, Alec Guinness and Gary Oldman. They tend to be British, I guess. People who really disappear and transform, I really like that.
I always keep thinking, 'The next role - that's going to be the one that's really going to define me and show them all. I'll transform and disappear, and it will be a revelation.'
As actors, the great thing about our career is we get to change from role to role. I don't want to be known as "put him in the movie because he has nice abs" guy.
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