A Quote by Jeffrey Tambor

The Emmy should be an ensemble award, too. I kept howling at everyone else's performances. — © Jeffrey Tambor
The Emmy should be an ensemble award, too. I kept howling at everyone else's performances.
To me, the Peabody was as big if not bigger than any award, but I do understand an Emmy Award-winning show has a different buzz when it comes to start talking about renewals and things like that. There's a professional something to it that matters.
Everyone agrees that a secret should be kept intact, but everyone does not agree as to the nature and importance of secrecy. Too often we consult ourselves as to what we should say, what we should leave unsaid. There are few permanent secrets, and the scruple against revealing them will not last forever.
Television has its own award. It's called the Emmy. It's a good award. I like it. I have one. But you don't see movies like 'The King's Speech' win Oscars and then go to TV and qualify for Emmys. In documentaries, some networks have been able to game the system.
I do not think everyone is created equal. In fact, I know they're not. [The Constitution] means that everyone should have the same laws as everyone else. It doesn't mean that everyone's as smart or as cute or as lucky as everyone else.
My agents and managers deserve a special Emmy award for scheduling.
One of the great flaws that we all share is that we think everyone else is cooler, everyone else is sexier; everyone else has all the answers. That was me too.
I never started out to be an action actor. I was an ensemble actor. "Rocky" was an ensemble film. "F.I.S.T." was an ensemble. "Paradise Alley" was an ensemble.
I was nominated for a Daytime Emmy Award 19 times before I won. The first nine years, I heard someone else's name called; after that - I think it was a protective thing - I didn't hear whose name was called, but nobody was making eye contact with me, so I knew that it wasn't mine.
JR was a 1-dimensional, evil character. JR was multi-dimensional, and Larry Hagman is probably one of the greatest actors that we have. Then, you go back and look at 'I Dream of Jeannie' - I mean, he's a comic genius, as well. So, I think they should give him an honorary Emmy Award.
When you write like everyone else and sound like everyone else and act like everyone else, you're saying, 'Our products are like everyone else's, too.'
A new kind of award has been added -- the deathbed award. It is not an award of any kind. Either the recipient has not acted at all, or was not nominated, or did not win the award the last few times around. It is intended to relieve the guilty conscience of the Academy members and save face in front of the public. The Academy has the horrible taste to have a star, choking with emotion, present this deathbed award so that there can be no doubt in anybody's mind why the award is so hurriedly given. Lucky is the actor who is too sick to watch the proceedings on television.
For me, 'Mary Magdalene' is the most beautiful film I've shot with the performances and the script and the actors and ensemble. But not one saw it.
An award, to me, means a bonus. It's not that an actor works for an award. I don't work for an award. But, when you get an award, it is encouraging and inspiring and reminds you that you need to do well.
I'm not a great director or an auteur; I'm an ensemble director. I do think I can get wonderful performances out of actors.
I have no patience for anyone who thinks they've figured things out, no patience for people who think they're right at the expense of everyone else. The world is too connected and too complicated to conform to any of our rigid ideas of what it should be like.
Probably one of the happiest moments, outside the birth of all of my kids, was the first time we won an Emmy, that the show won an Emmy. That was a big night.
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