A Quote by Jeffrey Tambor

I worked at The Old Globe Theater under the great baton of Craig Noel. One of the great theater heroes that we have. He was so great and so inspirational. I think I did 'Antony and Cleopatra' and 'The Taming of the Shrew'. I lived in Ocean Beach, and my rent was $140 a month.
Now the Gielgud Theater is a very famous old theater, because it was originally called the Globe, and the Globe is where my mother made her very first professional appearance in London, was at the Globe Theater.
If you actually saw your favorite movie star who is also a great classical actor doing 'Romeo and Juliet,' 'Macbeth' or 'Taming of the Shrew,' it would be a great thing and a great thing for kids to get interested in language.
I think one of the great bits of The Muppet show is that it was set in a 19th century British theater and they live so nicely amongst that lovely old theater.
The theme of the dance was "Great Romances," or some such nonsense. There were projections of supposedly great couples from the past on the walls of the gym. Romeo and Juliet, Antony and Cleopatra, Hermione and Ron, Bonnie and Clyde, etc.
I do think that theater is a great venue for science fiction, and not just adaptations but also original work. I also think some of the greatest classics of theater have elements of SF, but in theater, as in publishing, sometimes people make arbitrary distinctions.
I did as much theater as I could. I worked at a theme park and a Bible theater and a community theater.
There's nothing like a great piece of theater - a great performance in a great piece of theater.
Watching and learning from the great Josette Bushell-Mingo, who was playing Cleopatra in Antony and Cleopatra at the time, and then to return to the same stage six months later playing a lead role, was incredible - I fell in love with the poetry and the breadth of the language so much that I didn't want it to end.
I don't think theater is dying, and musicals are a great American art form. We've got apple pie, jazz and musical theater.
Great drama is great questions or it is nothing but technique. I could not imagine a theater worth my time that did not want to change the world.
I gained a great deal from the period during which I worked in theater and I value those things a great deal.
Before I ever acted as an amateur - which I did a great deal at school and at university - I used to go to the theater with my parents in the north of England, where I was born and brought up... Theater of all sorts.
'Merry Wives of Windsor' is a wonderful machine. It's one of the great farces, and it's astonishing to remember that this is written by the same man who wrote 'Hamlet,' 'The Taming of the Shrew' or 'Cymbeline.' It's so similar, and yet the form is so different.
My mother was apt to fall out on the floor and start speaking in tongues. Actually, it was a great performance... It was great theater. As a 5-year-old, I understood that, although it scared me and there was a little part of me going, 'I don't know about this. This seems over-the-top to me,' at the same time, I did understand that this was passion.
Theater was definitely part of my roots. My father would take me to plays, and then my mother was always on the lookout for other talent and taking me to see plays. I saw Frank Langella in 'Dracula'... Great, great performances. I was a theater rat, hanging out backstage.
All directors are different. Certainly, the directors that I respond to the most are guys that figure it out by doing it, not by thinking or studying. Also, the kind of actor that I think I am - I learned about theater doing theater, not studying theater. I think that traditional school can be great, but also it can stifle original thought.
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