A Quote by Jeffrey Tambor

What's interesting about playing Maura is that I get to use more of Jeffrey that I've ever used in any role, and I think that's the remarkable part about it and truly the most surprising part about doing this role.
Everybody talks about being a role model. But if you look up the word 'role' in a dictionary, it describes playing a part. Everything I'm into, it's real to me. There's nothing fake about it.
You forget about it, after awhile. You forget that you even have it on. It becomes part of you. You get used to it, even the teeth and the contacts, which bothered the hell out of me. It ends up being something that is part of the role, and part of the thing that you're doing. After awhile, it just feels pretty damn awesome.
I had to audition for Fandango. When I read the script, the role that was interesting - so everyone thought - was the role that Costner played. He was the cool guy. And I read the script, and my representation at the time said, "That's the role you should read for." And I was like, "Really? How about I read for this other role." And they went, "Well, you're not going to get that role."
I saw several actresses play the part. I did not in fact, as far as I know, do anything that any of the other actresses did. I don't think actresses do that. I think that what we do is we see a role as a role, we don't see it as a person. We look at the role and think, 'What can I, as an actor, bring to that part?
You're not going to eliminate concussions. Anytime you hit your head, you have a chance of getting a concussion, in any sport, too. I think we have to learn more about it. Part of it is rules, part of it is equipment, part of it is medical studies, knowing more about the brain.
When preparing for a role, a month is a luxury. Sometimes you've maybe got two weeks before you start on something. So you have to learn how to do it quickly. And the longer you have a role, that it lives in your imagination, the more you're going to be able to contribute when you get on set. Because it's really about your subconscious having time to sit with the part, so you're out doing something and then something occurs to you, you know?
I think dating is all about role playing, and figuring out what you want and don't want. You figure out more about yourself by meeting people. You're like, "I'm not right for that person, but why am I not?" I think dating is a really interesting journey.
Role-playing games have been a huge part of my life and a huge part of my training as a performer - learning social skills, meeting friends, and being a generally competent person - so I owe a lot to role-playing games.
To me, I don't think it does anybody any good to just hide something or cover it up or lie or whatever. I think ... that's what being a role model is all about. It's not about being perfect. It's about speaking about your issues and inspiring others to get help.
A role is a role where I play someone else, but when it comes to paintings, it is me. It is unadulterated Shefali and there is no control and I can let go. I am unabashedly unapologetic about it. That is what is interesting about my paintings.
My forte is playing drunks down the ages. When my agent rings me about a role, I don't ask what the part is, but what century it's in.
Maybe I had a 'secret identity,' but then when you think about it, don't we all? A part of ourselves very few people ever get to see. The part we think of as 'me.' The part that deals with the big stuff. Makes the real choices. The part everything else is a reflection of.
I'm not sure about that role any longer. The role used to be to mix things up and I think to a great extent it still is, but the quality of the work of the political cartoon has been succeeded by the wisecrack, the gag cartoon, so that the cartoonist becomes more of the equivalent of the Jay Leno monologues, or David Letterman monologues.
I am not supposed to reveal much about my role in 'Thiruppangal.' But I can say that I am playing a journalist. It is a beautiful story, and I have got a meaty role to play. Sharadha Narayanan is shaping up the movie in an interesting manner.
Sometimes it's not about the size of your role, it's about the machine that you're part of.
When an actor gets a role, especially in series television where he really is the part, the audience never thinks of another actor playing that role. If they accept you in the role, then they can't separate the actor from the character.
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