A Quote by Jeffrey Tambor
When I was a kid, we got up, we walked a number of paces to a television, turned it on, and changed channels.
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When I was a kid there were a very select few channels - programmes had to have more of a large appeal and they just didn't offer very much. Now you have a situation where the television world has expanded and there's hundreds of channels.
I told Terry I was leaving. She had been thinking about it all night and was resigned to it. Emotionlessly she kissed me in the vineyard and walked off down the row. We turned at a dozen paces, for love is a duel, and looked at each other for the last time.
I love working with young artists. Jacob Latimore was the first kid that I auditioned. After he walked out, I turned to my husband and said, "I think that's the kid. I don't know if I have to look any further. He's the one!" He's a real star.
I love my dad. He used to walk around the whole neighborhood and collect old furniture and fix it, like MacGyver with duct tape. One time, he brought a television home. I said, 'Damn, that TV has 500 channels.' When I got older, it didn't have 500 channels - it was a knob from the oven. My favorite channel was 300 degrees.
The Sixties were different in an isolated place. We got two television channels if the wind was blowing in the right direction. The radio stations went off at sundown. Then you picked up Chicago and heard the teenage music you really yearned for.
We really didn't have the option of being couch potatoes when I was growing up. There were only three television channels and the only kid's programming was on Saturday morning. We always played outside until we could hear Mom calling us (not by cell phone but with her hands cupped around her mouth) that it was dinner time.
Belushi was one of my very first heroes. At a time when film, television, and music were undergoing tectonic shifts within American culture, he was at the center of it all. At that moment, he had the number one show on television, the number one film at the box office, and the number one record on the charts.
We turned at a dozen paces, for love is a duel, and looked at each other for the last time.
I was a kid at the end of the 1960s and in the early 1970s, so a lot of things changed. You had pop music coming up, with David Bowie, you had new television programmes and all these things. I was fascinated.
For eight or 10 years, I got wrapped up in chasing records. Everything was a number. Didn't matter what I won, it was a number. Every horse I rode was a number.
I was a fan of the television show as a kid but I wouldn't say that I've followed all the movies or anything like that. But I was a television junkie as a kid.
The victory in the 1992 World Cup changed Pakistan cricket. A number of cricketers from that side turned out to be role models and inspiration for the younger generation.
When people in my generation started to write, we did not actually have much of a movie industry, much of a theater scene, much of a television industry or other creative outlets. But we had a lot of aspiring writers. All that has changed. We now have a movie industry, television industry and lots of theater. But we have retained a large contingent of writers and a dedicated readership. The larger number of people in society who value writing, the larger number of good writers will be produced. That's my belief. It raises the bar.
I grew up on a farm with only two TV channels. I didn't grow up around much culture. When I got excited about painting, I never really got further than what would have been in a modern art history textbook.
I was inspired by comedy channels. I loved that they got to do sketches and could be funny and crude and make people laugh. But most of those channels, if not all of them, were done by guys.
The last time I was in there to set up for a surgery, I was sitting in the waiting room ... watching television. And a special came on the news about a guy who got AIDS from re-used medical equipment in the VA. It was the same procedure I was fixing to get. I'm gone. Deuces. I walked out, man.
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