A Quote by Jeffrey Tate

On the grounds of prestigious musical organizations that come and go, New York has the edge. — © Jeffrey Tate
On the grounds of prestigious musical organizations that come and go, New York has the edge.
For your first musical in New York, to go to Broadway and be nominated for a Tony is a dream come true.
Adultery - which is the only grounds for divorce in New York - is not grounds for divorce in California. As a matter of fact, adultery in Southern California is grounds for marriage.
You're supported by everything in New York if you want to be a performing artist. You come here, you can change your name. You leave home, you come here, you're severed from family obligations - the old identity drops away as soon as you come to New York because you're coming to New York, if you're an artist, to be someone else.
I've always liked New York, as I like towns with an edge and New York has a European feel, so when I came to play music here in the '80s it was a surprise to me.
I grew up in New York City: Harlem, New York. I played ball for probably two of the biggest amateur basketball organizations in the city.
Cities like New York have already followed San Francisco and have started similar organizations like sfCiti; New York has TECH NYC.
Woody Allen stayed so good because he never left New York. Howard Stern stayed so good because he never left New York - Mel Brooks when he just got out of New York was doing 'Blazing Saddles;' when he left New York he started doing stuff like 'Robin Hood Men In Tights' - he was in L.A. too long. He lost the edge.
I always thought it's not that the greatest players in the world come from New York. It's just the guys who shouldn't have made it, they came from New York. That's what makes New York special.
I want to retire in New York, let's be quite frank. I think a lot of people jumped the gun when I said I wanted to be a free agent. And yeah, I want people to come to play in New York. I want them to want to play in New York. I want New York to be that place where guys want to come play.
My whole childhood was filled with classical music and going to concerts of the New York Philharmonic and other New York ensembles and organizations, but interestingly, I didn't become conscious of wanting to be a musician until I was about 11. I was a rather late starter.
I have very specific advice for aspiring writers: go to New York. And if you can't go to New York, go to the place that represents New York to you, where the standards for writing are high, there are other people who share your dreams, and where you can talk, talk, talk about your interests.
I was interested in the question of the power of religious organizations to effect public policy in a negative way. When I was in college, and I found out at that time the Catholic Church was in such control of everything in communities, including in progressive places like New York - that a roommate of mine was not able to obtain an abortion with his girlfriend, even in places like New York. What I learned at that moment was the extraordinary clout that religious organizations can have to impose their theological views on others. And I found it exasperating and dangerous.
I would come to New York, work, and then get out of New York. I didn't go out to dinner with other people on the Management Committee. I didn't socialize. I didn't politick.
Chicago seems to follow New York, and coming from New York and being in real estate, I worry about things happening in Chicago that have happened in New York. I've seen a great city like New York go downhill. It has a wonderful financial downtown, but the rest of the city is not very nice.
Kids from New York usually don't stay in New York anymore: they go to prep schools and all sorts of stuff nowadays. I'm just happy to be one of the guys in our league from New York, to represent.
I remember during the draft I went to see a lot of organizations. But after you play in New York, you don't really want to go anywhere else. The people around are so cool.
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