A Quote by Jeffrey Thomas

I first conceived of my far-future setting 'Punktown' in 1980, and though it contains 'punk' in its name, the term 'cyberpunk' hadn't been coined yet. I took my inspiration strictly from punk music.
I was part of punk's second generation, so, not the first wave of '70s punk, but the American hardcore scene. I had a really strong love for music prior to that, but punk created a new template.
With Punk, I consider him to be like a brother to me. He's one of the guys who took me under his wing when I first came. So we've been able to maintain a good relationship. And there are very few people in the business that you can call true friends, so I consider Punk to be that and more. So yes, 'road wife' is the term we used to sum that all up.
Johnny Rotten isn't punk. Maybe that's punk to somebody, but these people are participating and challenging the corporations that are telling us what punk is and what good music is.
I think what we took away from first hearing about the punk stuff in England and then the early American punk stuff was a sense of self-definition and also sort of playing music for music's sake and being part of a family for family's sake.
I've always loved punk music, so it was really cool to do my first punk song.
DEVO was like the punk band that non Punk America saw as Punk and so when people who were really into Punk rock would be walking around on the streets the jocks who learned about Punk through Devo would roll down their windows and yell at the Punks: 'HEY, DEVO!!'
I think English punk died in '79 or '80. Maybe '82 at the latest. As far as American punk goes, it wasn't the same as English punk. It wasn't a working-class movement that was protesting the conditions under which this class had to work. I don't think American punk ever died.
I can play punk rock, and I love playing punk rock, but I was into every other style of music before I played punk rock.
The music industry went through such a strange stretch in 1977, especially in this country, with the whole punk rock thing coming about. Punk was rebellious-and justified in that response-but it had very little to do with music, and so it created a highly-charged but frighteningly floundering atmosphere that I found very, very disheartening. Musical quality for me has always been an important part of rock'n'roll-and winning recognition for that has long been an uphill battle all the way. Punk seemed like rock'n'roll utterly without the music.
I was a punk when I was 15 - I was definitely into it in a big way and loved it - but I came to London when punk was maybe where you'd say punk is dead.
Punk's really cool because it's very inclusive of all types, which I like. And I would submit that even though people talk about punk as being thuggish, I think it can be more creative than other types of music.
I moved to Naples, Florida, and by 15 I was into punk: Green Day, Rancid, NOFX, Operation Ivy. Along with the classic punk bands, like the Sex Pistols, the Clash, the Misfits, Dead Kennedys, Minor Threat - all those bands that you get into when you're first getting into punk.
Stray thought for the day: Putting boundaries on how punk should sound/look is the least punk rock thing one can do. Be yourself=Very punk.
I wanted to be in a punk band before I had even heard any punk music.
Punk was key to the early part of me playing guitar. I was really into melodic punk-rock. I related to punk more than Lynyrd Skynyrd or Yes or Van Halen.
The fans never gave up on CM Punk. If CM Punk wants to be part of 'All In,' he can be part of 'All In.' But I am not putting it on him to draw those 10,000 seats. If we did have CM Punk, we would not tell you we had CM Punk - unless we didn't sell any tickets.
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