A Quote by Jeffrey Wright

Some musicians play blues, others classical jazz or bluegrass. I like to play political roles because I can merge my political interests with my creative interests. — © Jeffrey Wright
Some musicians play blues, others classical jazz or bluegrass. I like to play political roles because I can merge my political interests with my creative interests.
Climate change should not fundamentally be seen as a political or partisan issue, but it has been turned into a political football primarily by the climate deniers who have a vested interested in maintaining the status quo. That includes certain industrial interests, financial interests and political interests.
Personally, I think young musicians need to learn to play more than one style. Jazz can only enhance the classical side, and classical can only enhance the jazz. I started out playing classical, because you have to have that as a foundation.
Every senator needs to stand up and represent their constituents - not big business, not the ACLU, not activist groups, not political interests, but the American interests, the workers' interests.
I'm a great believer that actors are very similar to session musicians. You wouldn't ask a session musician, 'How do you play jazz,' and then, 'How do you play classical?' They just do it, because if they don't do it, they don't eat.
I think the other thing that's important is getting to a place, which very, very rarely happens with improvising groups, where somebody can decide not to play for a while. You watch any group of musicians improvising together and they nearly all play nearly all the time. In fact I often say that the biggest difference between classical music and everything else is that classical musicians sometimes shut up because they're told to, because the score tells them to. Whereas any music that's sort of based on folk or jazz, everybody plays all the time.
Pay 2 Play vividly tells the story of the threat posed to our political process by big money interests and what we can do to fight back to defend our Republic. This is a must-see movie for anyone who cares about the cause of democracy and the promise of political equality for all.
You basically have to play everything (in New Orleans), because you're getting calls to play gigs of all different styles, from classical to R&B to funk; modern jazz to traditional jazz.
I don't think that the war serves U.S. interests. I think Osama bin Laden's interests and the Iranian interests are very much served by it, and it's becoming a huge drain on our resources both material and political.
The amazing thing about Sweets [Edison] was that he exactly spoke the way that he played! He was really unique, the one and only. He was one of the greatest Blues players that I ever heard and played with. Nobody can play like Sweets man, nobody! Most of us, musicians, frequently quote Sweets' phrases in our solos. Like Lester Young, Sweets had a big influence on us musicians, especially when we play some Blues.
Jazz is an endless source of ideas, because you can use anything. You can play operatic arias. You can incorporate them into jazz. You can play gypsy music and incorporate it into jazz. You can European classical and you can incorporate it into jazz. You can use anything and jazz it up, as they used to say.
I was born in Philadelphia, Pennsylvania, and am a product of a family that were jazz aficionados and also very interested in progressive politics. And so I had a lot of artists and musicians in my home. Lots of Latin music, folk, and jazz and blues, bluegrass-type of stuff. Painters and stuff like that.
Your life is like a play with several acts. Some of the characters who enter have short roles to play, others, much larger. Some are villains and others are good guys. But all of them are necessary; otherwise, they wouldn't be in the play. Embrace them all, and move on to the next act.
"Jazz" to begin with, is a really bad word... all the true musicians that really play jazz, jazz is the worst word for it. Jazz is a process. Jazz is a creative process. It's not so much a genre, but a way of expression.
Musicians like to converse. There's always interesting conversation with musicians - with classical musicians, with jazz musicians, musicians in general.
People have their own interests and they want to play a certain kind of music. People want to play in orchestras. They want to play on Broadway. Those that want to play traditional jazz and have no interests in the ideas of improvisation. So in spit of the fact that there are fifty violin players, you might only narrow it down to ten and within those ten, there might only be three who have the right kind of background and credentials to deal with what you need to deal with. Everybody's got their own special thing that they are after and a lot of times you don't have time to be training people.
In the push and pull of Washington politics, Thom Tillis has decided there are things more important than representing North Carolina. He has put his own political interests, and serving the special interests, ahead of North Carolina's interests.
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