A Quote by Jeffrey Wright

In theater, the primary tool for me was voice. On-screen, it's the eyes. — © Jeffrey Wright
In theater, the primary tool for me was voice. On-screen, it's the eyes.
I don't really discriminate with my art. To me, it's my art, and it's to be expressed through whichever medium is there, whether it's treading the boards in the theater, on the small-screen TV, or on the large screen. I love theater, and it's definitely something I would love to do.
I think Hollywood is an incredible tool to teach people. It brings stories and information to the television screen, to the movie theater screens, that people get to empathize with.
Theater definitely prepared me for Cyborg in the best way possible. All of the green screen definitely takes me to my minimalist theater days.
In primary school when I was 6-7 years old, I always go to theater with my uncle, and I don't know why I like the atmosphere, dark only. The screen has some lighting, that kind of things, you can see the movie star and so that's why I like movies.
Ever since I was first read to, then started reading to myself, there has never been a line read that I didn't hear. As my eyes followed the sentence, a voice was saying it silently to me. It isn't my mother's voice, or the voice of any person I can identify, certainly not my own. It is human, but inward, and it is inwardly that I listen to it. It is to me the voice of the story or the poem itself.
People may know me from films, but theater is my first love. I did about 35 plays before I even landed my first screen role. I'm very comfortable on stage, and theater is not something you can just wing.
Eyes are the greatest tool in film. Mr. Capra taught me that. Sure it's nice to say very good dialogue, if you can get it. But great movie acting - watch the eyes!
I want to have a movie where people's eyes are glued to the screen, not when they're running from the screen.
One of my favorite things to do is not to speak on screen. In theater it's different because there's a lot of emphasis on language - it's a different medium. But that is one of the most wonderful things about film. A person's face can say so much more than their voice can.
An exit is only a success if you set an exit as your primary goal. My primary goal was to build a globally influential tool, to build something from the ground up that could literally change how we communicated in business and individually.
I don't have a primary doctor, a primary hairstylist, a primary anything. I don't even have a primary address! Everything is just whenever I can find one.
When you make a movie like 'Straw Dogs,' your goal is to have people's eyes remain glued to the screen. It serves you no purpose to turn away from the screen.
I've auditioned for animation stuff for a long time; that's a tough field to crack into. I don't think I have the strongest voice. I don't have a theater-trained voice or a radio voice, but I think I make good character choices.
Whether the theater is 1,000 seats or 500 seats or 200 seats, you have to make sure the person in the back of the theater can hear you and understand you. So there's a lot of articulation and a lot of voice in theater that really just isn't necessary when it comes to dealing with the camera.
During the primary, I heard the audible voice of God. … He said, 'Credibility.' It wasn't a thought in my head. I thought it meant I was going to win. But after the primary, I got credibility.
I couldn't believe it! I mean, I'd always dreamed of acting on the screen - my previous background was all theater - but I wasn't sure if the opportunity would ever present itself. Not only was this acting for the screen, this was acting in 'The Hunger Games!' I knew that I had to give this audition my all.
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