A Quote by Jejomar Binay

There was never a time that I thought of renouncing my Filipino citizenship. I never abandoned my country. I've been here through thick and thin. Jojo Binay is a Filipino.
I always wanted to let people know I was Filipino, but I didn't want to go up on stage and make it so you wouldn't understand my jokes because you're white or black. I always wanted to let people know I was Filipino through my mom. That was always my goal. That way, everyone got it. You don't have to be Filipino to understand my mom.
Most of my background is Filipino and partly Chinese, but mostly Filipino.
I am pure Filipino; both my parents are Filipino.
The fact that I am a Filipino actor playing a Filipino role is crazy. Filipinos are the second largest Asian minority in the United States, and we're hardly represented in the media and on television.
The true Filipino is a decolonized Filipino.
Filipino talents and skills are becoming ubiquitous in many parts of the world. Returning Filipino workers have helped improve our skills and technological standards.
Jojo Binay will not change.
I came to know that in many ways it was a crime to be Filipino in California .... I feel like a criminal running away from a crime I did not commit. And this crime is that I am a Filipino in America.
Your aspiration is really for the country to be better. I think that's exactly what I've gone through - a Filipino who may live elsewhere but who cares just as much for the country.
The most fascinating thing for me is that 'Peter Pan' is a fairy tale, but now, this Filipino kid is a part of the folklore. Can you imagine telling the story of 'Sleeping Beauty' or 'Cinderella,' and all of a sudden there's a Filipino kid in there after all these years?
In the performing arts you have to have thick, thick, thick skin, because of all the rejection you face on a daily basis, and the fact that work never lasts for very long. But you need thin, thin, thin skin in order to access all of your emotions and your creativity so that you can express it. You can't be dead inside. Otherwise you've got nothing to give. So it's a paradox, that we have to exist in both planes in order to do what we do.
I'm so Filipino. I'm fluent in Filipino.
I'm a quarter Chinese and three-quarter Filipino. I don't look Filipino; I look more Chinese or Korean. It actually works in my favor: in terms of roles, it gives me a broader canvas.
The fact that I get to play a queer Filipino on television and another queer character in 'Crazy Rich Asians' is huge. I never thought I'd have a career being myself. I always thought that being an actor in Hollywood meant that I would have to put that side of me on the back burner.
Depictions of race have changed so much since, like, the '50s, where white people just played every race. But the pendulum swings both ways: I'm Filipino-American. If I had to wait for a Filipino role to come out to get work, I couldn't eat. There are barely any roles out there.
Now it's time to play a brand new game called Name That Barcode. Here's the first one: "Thick black, thin white, thick black, thick white, thick black, thin white." OK who's going to identify that?
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