A Quote by Jello Biafra

The last true punk band to get a major label contract was The Dickies. — © Jello Biafra
The last true punk band to get a major label contract was The Dickies.
If the label presents them with a contract that the band don't want to sign, all the label has to do is wait. There are a hundred other bands willing to sign the exact same contract, so the label is in a position of strength
If the label presents them with a contract that the band don't want to sign, all the label has to do is wait. There are a hundred other bands willing to sign the exact same contract, so the label is in a position of strength.
I think that on paper we did make so many of the classic mistakes that a punk band makes, signing to a major label, getting in business with the wrong people, stuff like that.
I remember Green Day came down and played this South Florida club called the Plus Five. I think I was too young to go - I think I was 12 or 13. It was before Green Day were on a major label, but I loved them because they were this band who were a punk band, but they had melody.
At the time, in 1996, an electronic band signing with a major label was something new, at least in France. Daft Punk knew that this meant a marathon of promotion, TV appearances, etc. To protect themselves and to be discrete, they came up with the masks and, three years later, the robot helmets.
You would think that anyone on a major label would be doing something, but when you speak of major label that means something to maybe a big pop star that might be getting some sort of benefit from the major. But we still don't get anything.
One overlooked great 1980s rock n' roll band, maybe punk rock - they were on SST Records, same label as Black Flag - is this band called the Leaving Trains.
I certainly didn't want to be in a punk rock band, because I had already been in a punk rock band. I wanted to be in a band that could do anything - like Led Zeppelin.
To begin with, the key principle of American indie rock wasn't a circumscribed musical style; it was the punk ethos of DIY, or do-it-yourself. The equation was simple: If punk was rebellious and DIY was rebellious, then doing it yourself was punk. 'Punk was about more than just starting a band,' former Minutemen bassist Mike Watt once said, 'it was about starting a label, it was about touring, it was about taking control. It was like songwriting; you just do it. You want a record, you pay the pressing plant. That's what it was all about.'
Being in a band is very much like a startup. You start in a garage. You hope to get interest from investors, like a major record label.
It was an important period for us, because even though we weren't a "punk band", and what became a model for a punk band, we were able to be dragged along by the spirit of that time.
I never thought of us as a punk band, a metal band, or a new wave band. Just as a band band.
DEVO was like the punk band that non Punk America saw as Punk and so when people who were really into Punk rock would be walking around on the streets the jocks who learned about Punk through Devo would roll down their windows and yell at the Punks: 'HEY, DEVO!!'
We're so humbled and lucky to be in a position where we've been a four-piece for over 15 years. We're signed to a major label. We're on our fourth record on a major label. We've won a Grammy. We've toured the world.
When I was on a major label I felt obliged to say yes to every interview, tour and whatever else. The label is always telling you, 'This ain't going to last,' so I worked myself half to death. I learnt from that and I like to pace myself now.
My ultimate goal was to make the music that I wanted to make, and give shows. I was never going to get a major label deal - I never wanted a major label deal - so I was really free to express myself.
This site uses cookies to ensure you get the best experience. More info...
Got it!