A Quote by Jello Biafra
They've gone to great length to disguise the fact that I'm not in the band, even sending out a photo to promoters with my picture in it which then winds up in some of the ads on the flyers.
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Magicians disappear all the time, but as soon as a regular person does it, everyone is all scared. "Tom's gone!" "Is he a magician?" "No." "Then let's print up some flyers!"
Some things you forget. Other things you never do. But it's not. Places, places are still there. If a house burns down, it's gone, but the place--the picture of it--stays, and not just in my remory, but out there, in the world. What I remember is a picture floating around out there outside my head. I mean, even if I don't think if, even if I die, the picture of what I did, or knew, or saw is still out there. Right in the place where it happened.
Then let's print up some flyers!
I'd take out a joint and light it. First, just faking it. Then I started lighting live joints, passing them around to the band, you know. I was great, it relieved all my tensions. And I ended up with the greatest supply of grass ever. Other acts up and down the Strip heard about what I was doing - Little Anthony and the Imperials, people like that - and started sending me the best dope in the world. I never ran out.
I see The Gap ads as being a great example of how branding has changed. Those Gap campaigns are pop culture. They've been incredibly powerful. They have had the kind of effect on culture that a hit band has. Just look at The Gap's Khaki swing ads, which were music videos. They had this tremendous impact on the industry - suddenly everything started looking like Gap ads and it became difficult to know who was co-opting whom and who was creating culture.
Some people don't even say hello. They come up and say, 'Can I take your picture?' and I'm, like, 'Why?' And they say, 'Oh, you're that guy.' And I'm, like, 'Why do you want a photo of me if you don't even know my name?'
But most weeks I've gone through 12 books, maybe even 15 some weeks, depending on the length. So I go through my long form, and then my day begins. I usually try to do most of my writing earlier in the day because I sort of lump out later on.
Every band I knew or played with had flyers and properly-recorded demos and contacts; I couldn't even get a gig.
I found out that you could audition by sending a picture of yourself and some information to Newsround.
I was doing unemployment for a little bit and then I started a dog-walking business in my neighborhood. I went to FedEx and started printing out some flyers and hung them up around my neighborhood. Then I started walking people's dogs for a couple months.
If I've gone to get a takeaway, and I get chips... I like to match up the chips in length. That is actually quite weird. Obviously, if I've got chips, I pick them out in twos. That's a weird thing as well. You know, if they're not the same length, well, I go hunting for the same length in chips.
It is a good idea to know which publishers publish which stories. For example, there is no sense in sending a picture book text to a publisher who does not publish picture books.
My deal was that they would use a full-length picture of me in my underwear and a full-length picture of me all done up, and they would write about how long it took and how much it cost, because that was the whole point. It was very liberating.
When that band started out, I was 18 years old. So that was my reality all the way up until I quit the band. And even then, you know, Guns N' Roses has a nasty way of sticking around.
That was one of the great successes of removing Saddam Hussein, as we took Iraq out of the picture of having a sovereign nation from which the terrorists could operate. But this war has not gone perfectly.
When Adam's House Cat broke up in 1991, which was Cooley and my band for six years, I put my entire life, heart, and soul into that thing. I mean everything. I ended up getting divorced over it, and then the band broke up and I was left with nothing. I had nothing to show for six years of my life except for a finished record that still hasn't come out. And I went through a pretty deep, dark, two-year depression after that, [which] probably resulted in some of the earlier songs that became Drive-By Trucker songs, for that matter.
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