A Quote by Jen Kirkman

At first, there was a separation of clubs and sketch comedy. Now there's all kinds of comedy, making us one big happy family. — © Jen Kirkman
At first, there was a separation of clubs and sketch comedy. Now there's all kinds of comedy, making us one big happy family.
Comedy clubs sharpen a comic, they're like the gym for us, making us stronger, faster, funnier. Without them every comedy show would feel like a monologue.
What they call 'alt-comedy' now is basically what comedy was like in the '80s. People tried different things, and everybody went to the clubs; there was no other place. Then somehow, the clubs became infiltrated by Dice Clay and Carrot Top types.
When I graduated, I was director of my school's sketch comedy group, and I knew that I wanted to be writing and performing my own sketch comedy. It kind of made me want to do my own one-person sketch group.
My experience - and it might be just the kind of comedy that I do, which is usually sketch comedy - is that there's a lot more texture and subplot in drama than in comedy.
I've always been a big fan of comedy and sketch comedy, and I like to laugh, but you can't just be funny. You do have to work at it, and you have to try to know what your role is and when you can insert humor, or when it's best not to.
The population increasing, some of it could be in countries we haven't thought of making art in. I've never entertained making comedy in China. Like what world is that? I don't know how they would perceive art or sketch comedy. It's not a matter of intellect; it's a matter of language.
I wrote a play at drama school, which was a dark comedy - people laughed and cried. And then my script of one of the shows was picked up by a comedy sketch company... so then I had to write comedy.
Even though I have fond feelings for comedy clubs, I enjoy the focus you get in a theater. Comedy clubs are a different animal. People are being served nachos and there's a blender going off in the background.
I would love to be able to play anywhere, but to me the sweet spot is clubs and theaters, just because I feel like you lean in to tell a joke. You don't back up. Comedy lives in that area. I've played amphitheaters, big clubs, and pool halls, and the most fun rooms hold anywhere from 500 to 2,000 people. That intimacy is where comedy really lives.
When you're going for a big studio comedy, the joke tally better be pretty high, and you better have some big comedy set pieces. That was one of the issues when I was trying to get 'Swingers' made for the first time, which is that there weren't any broad comedy set pieces.
My preference is for people who can do sketch comedy or situational comedy, where it's not a joke, but it's telling a story.
I will do comedy until the day I die: inappropriate comedy, funny comedy, gender-bending, twisting comedy, whatever comedy is out there.
There wasn't a big tradition of comedy at Dartmouth. More than that, there wasn't really anything artsy going on in Hanover, or even in New Hampshire. The cool thing about the school is that there's nothing for people to watch, so if you were to do a play or a sketch or an improv troupe, it was always packed. There's nowhere else for anyone to go. But there was no comedy.
I probably prefer comedy. Why? I'm not sure. I feel like the energy of a comedy is a better fit for me. I try to be a happy guy! It seems that most of my life has the energy more for a comedy than for drama. I'm grateful to do both, but I would have to lean towards the comedy side of acting.
The kinds of shows that seem to work now, the comedy shows, are those which require very little attention. They're superficial and I like articulate comedy.
The kinds of shows that seem to work now, the comedy shows, are those which require very little attention. They’re superficial and I like articulate comedy.
This site uses cookies to ensure you get the best experience. More info...
Got it!