A Quote by Jen Kirkman
I'm very big into just feeling good and doing what I want; I'm not very calculated or thoughtful about my moves.
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Actors aren't all the same. They have very different skills. There are actors of intellect who are very thoughtful about everything they do... and then there are actors of instinct who don't know what they're doing until the cameras roll... My father was actually quite thoughtful about what he did, while my mother was much more instinctual.
It's true, I had a lot of offers from very good teams, but I decided Juventus because I think the project is very big, and they have very big aims, and I want to be a part of the big project here.
I used to feel more straight for certain months and then just think about boys all the time I'm attracted to women who are very, very boyish. I'm not very big on big mammaries. I have a tendency to be attracted to very, very boyish girls. And usually very feminine men.
My favorite thing is drums. I have a very, very big memory - and I don't have many big memories - of going to see the movie Tap, with Gregory Hines. During one scene, he's in jail, and there's some water dripping down, and he starts tap dancing. I just like that feeling of: "I'm in charge, I can do whatever I want."
I'd love to have written a film and it to be regarded as good. I'd just like to be doing things that are good, really. I think that's all you can aim for. I find it odd when actors say they just want to do films or plays or television. A lot of films aren't very good; a lot of television isn't very good; a lot of plays aren't very good.
There are people - I think this is why there are so many commercial directors doing well in big studio movies, for whom it's not a personal choice - it's "What's the coolest, most effective way to make them laugh, make them scream?" It's a very calculated approach. And that's different. It's not better or worse. It's just a very different approach to filmmaking. That's always been the case.
My feeling about Al Ain was very positive, was very good, and if my feeling wasn't like that I would never have come.
My feeling about all films and all television is that it's an adventure. That's the way I have to look at it. Because you don't know what the climate of the circumstance is going to be. It could be very good. It could be very mediocre. It could be very bad. You don't know. But I've been doing it long enough now to know that it's an adventure. That's what it's all about.
The big picture is: the main thing you should be concerned about in the future are incremental returns on capital going forward. As it turns out, past history of a good return on capital is a good proxy for this but obviously not foolproof. I think this is an area where thoughtful analysis can add value to any simple ranking/screening strategy such as the magic formula. When doing in depth analysis of companies, I care very much about long term earnings power, not necessarily so much about the volatility of that earnings power but about my certainty of "normal" earnings power over time.
One big disturbance, I think, between L.A. and New York is that New York is so condensed and together that it's very hard to be private there. There's a lot of constant interchange, people know what you're doing all the time. Here in L.A. it's the opposite, it's very spread out, unless you make a conscious effort to go someplace and look at something, you don't see it and we hear about it. So in that sense, it's a city where you can be very anonymous if you want to be, or even if you don't want to be.
I'm incredibly articulate, thoughtful and moral, and I think about what I do. I want to be known for doing something good.
I just cannot imagine why anyone would want to be really famous. You go to a restaurant and people are pointing at you and they talk about you and they whisper and it is very disconcerting; it is a very odd feeling.
Watch and enjoy Mixed Martial Arts, and if some people are thinking about doing it, they must be very careful and think about enrolling in training first, they must make a thoughtful decision before actually doing it.
Every time I create something, just before that there's a kind of - you're feeling very low, you're feeling very down and insecure. Then you create and then it's fine. This is the way I observe me doing it.
I want players to think: 'OK, this has happened now, what is next for me?' That's a very big target because what are academies about nowadays? Is it really just to find one or two players? But what happened to the others? I'm very, very interested in that.
I just want to play well, have the people in Chicago enjoy watching soccer. You have a very good baseball team, a very good ice hockey team, and a very good football team. Hopefully you'll have a very good soccer team.
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