A Quote by Jen Lilley
Alex Zamm is probably the most talented director I've ever worked with. He is so good at working with actors and crew and setting up his shots.
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I love working with Sally Field, and Steve Buscemi is one of the most giving, talented actors I've ever worked with.
But actually my dad is a very talented director and not just his use of shots and camera, but he's very good with actors and he knows acting well. It's great to see him do that and be really good at it and he's been doing it for a while and he certainly knows how to make movies, and little movies I guess for a television show, and he's going to come back in November to direct a second episode, which I'm really excited about.
I had a really good time working with Jim Cameron. A lot of people didn't, but I did as I got on with him really quite well. For a director who spends most of his time looking down a lens or in the digitisation studio or working out some graphics, he is actually very good with actors.
I've worked on shows where the lead actor doesn't know their lines, doesn't care, and it affects everybody - the crew, the director, the other actors. It's definitely a responsibility.
If you ask me about Donna Lynne, she's one of the flat-out most talented people I've ever worked with, and I've worked with some pretty talented people.
I have hardly ever worked with the same director twice. But when you have worked with a director before, you understand his behavior.
An actor can be as talented as another, but if he doesn't stick to what the director's intentions are, it all falls down. I adore working with actors.
I think trust is the most important thing. If the actors and the director and the crew trust each other and you set up perimeters and boundaries, you give everyone space to do great work.
When I'm working on the scripts or working with the other actors or rehearsing with the director, and when the director is cutting the movie, and we've shot the scene, the director is not looking at the visual effects.
To go into more specifics regarding actors, whether they're from Korea or the U.S., all actors know if they are loved by the director. When they feel that love from the director, they respond by giving a great performance on camera. Also, everyone on set - the crew, the actors - they were aware of the film's message and its broad theme, so these big issues were never discussed on set.
I learned a lot from Clint [Eastwood], who's an extremely economic director. I learned a lot from Michael Winterbottom, who really gave a lot of trust in the actors and allowed them to live in the space instead of trying to manipulate and make it too set and too staged. Working with [Robert] De Niro taught me a lot of being an actors' director and what that is. I've learned a lot from pretty much everybody. Hopefully I've picked up something from everybody I've worked with.
Jimmy [Dean] was the most talented and original actor I ever saw work. He was also a guerrilla artist who attacked all restrictions on his sensibility. Once he pulled a switchblade and threatened to murder his director. I imitated his style in art and in life. It got me in a lot of trouble.
Jason Reitman is an amazing director; he's really amazing with his actors and crew.
Trying to make something as tricky as 'Room' really believable is extremely hard, and it largely rests with that relationship between the actors and the director, and the director and the crew.
I have my set rigged with the biggest sound system possible and have a mini jack for my iPod attached to my director's chair. I find playing music is a very direct way to communicate with actors and the crew, especially those crew members who are on the periphery of the set. I like dancing on set too, it's a good way to release tension.
Oh yeah, I'm the president of the lucky club. There are so many talented people who don't work. And the crop of young actors I'm surrounded by is incredible. When you have people like that around you it amps you up a little bit. Also, Emile Hirsch and Joseph Gordon-Levitt, or guys like Ryan Gosling. It's a really good crowd and I feel I'm coming up at a good time. But equally, there's a lot of good young actors who don't get to work who are more talented than I. I'm just lucky.
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