A Quote by Jencarlos Canela
I started in music and that's my forte and that's what I've always done and where I'm heading.
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I started doing Bollywood and film music, and now, it has come to a point where I've started to say no. I want to do my own music. I have been there and done that, so I am not there to achieve that any more. I just want to put my music out there, and if people listen it, okay; if they don't, then fine.
Acting was always my passion, even before music, so I knew I was always heading down that path.
Since I started, I've always been giving my music away for free. I've always kind of done it for the people. I don't want to lose my fans completely because they support me in a way that's more than just listening to my music. They support me like we're friends. They support me like they have emotions invested in it.
I got into one of the Scottish classical styles called piobaireachd, which is a very old music that started around the 1700s or something. I really got into this music. After that, I started to compose bagpipe music in my notations. Then I started building bagpipes by myself, and then I started to perform with the instrument myself in the 1980s.
Selling a band predicated on nothing is always an interesting proposition, and of course, the fact of the matter is that I really started out in music before I ever acted, and I've done a ton of singing.
For my qualifying concert, Helmut Walcha would not coach Charles-Marie Widor or any American compositions. In his defense, his forte was Germanic composers, and his forte was really a fortissimo!
I think we're returning to more of the original vibration of music and creativity through the removal of this distortion called the music industry. That's where we're heading. And it'll cut out a lot of music if people ever expected to make money.
I've always been in music. I started out in music, and I will continue to do music.
Drue [Langlois] and I started making music together before we started the Art Lodge, so I guess musical collaboration came first. The music we made, and our performances, always had a visual component. I could never play an instrument, so these other elements compensated for that a little.
A forte always makes a foible.
I just had to find something else to fulfill me. Always being a singer and writing, it was a blessing. My brother started making music that was the kind of music I always saw myself singing.
The things that I've done that have totally been remembered, they've always started with the same kind of engine, they've always started with someone saying 'I have to make this film - I'm going to make this film whatever the odds'.
I started when I was really young. I was playing classical music when I was 4 and when I turned 11 I started to write pop music. I guess you could say it was my intellectual evolution and my love of music began to change.
The way I like to think about it is, even though I started music early - I started in classical music - it wasn't until I discovered jazz that I really fell in love with music and realized this was what I wanted to do for a living.
Narrative nonfiction was not my forte. I always wanted to let my imagination run free, and the facts sometimes got in the way. At one point I wanted to illustrate Jack Prelutsky's enchanting poems. Unable to do that, I started devising and improvising my own poems, very raw at first. I immersed myself in verse, writing reams of stuff until it gelled.
That was probably the stamp that went into my mind, because I worked in television for many years, doing that kind of music, so that really was my strong forte.
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