A Quote by Jencarlos Canela
It's a great experience. Every time I see the belly getting bigger, and I see the sonogram and I hear his heartbeat, I'm like 'Oh, man.'
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Human beings look separate because you see them walking about separately. But then we are so made that we can see only the present moment. If we could see the past, then of course it would look different. For there was a time when every man was part of his mother, and (earlier still) part of his father as well, and when they were part of his grandparents. If you could see humanity spread out in time, as God sees it, it would look like one single growing thing--rather like a very complicated tree. Every individual would appear connected with every other.
Sometimes a man gets carried away when he feels like he should be having his fun and much too blind to see the damage he's done, oh sometimes a man must awake to find that really he has no one. So I'll wait for you and I'll burn will I ever see your sweet return, oh will I ever learn? Oh, Lover you should've come over. Oh love well I'm waiting for you.
Wouldn’t it be great to see a line in all movie credits that truthfully says, “Nobody was harmed in the making of this film, and at the cast party, all animals got a belly belly belly rub”.
Wouldn't it be great to see a line in all movie credits that truthfully says, 'Nobody was harmed in the making of this film, and at the cast party, all animals got a belly belly belly rub.'
There would be no chance at all of getting to know death if it happened only once. But fortunately, life is nothing but a continuing dance of birth and death, a dance of change. Every time I hear the rush of a mountain stream, or the waves crashing on the shore, or my own heartbeat, I hear the sound of impermanence. These changes, these small deaths, are our living links with death. They are death's pulses, death's heartbeat, prompting us to let go of all the things we cling to.
I actually spoke to one of the heads of a studio, and he said I confuse middle America. Basically, when they see a black person, they see athlete, they see rapper, or they see criminal or something like that. And then when they hear a British accent, they hear posh, so they hear lawyer or doctor.
Next you'd see a raft sliding by, away off yonder, and maybe a galoot on it chopping. . . you'd see the ax flash and come down-you don't hear nothing; you see the ax go up again, and by the time it's above the man's head then you hear the k'chunk!-it had took all that time to come over the water.
So, to see the response to the Kickstarter, and to see people actually really want to see, hear what I'm doing, hear what comes out of my own mind, is really an incredible experience.
The States are great. I'd like to go just to see life, see things and hear people talk. It's like a circus where different acts go on at the same time.
We will be able to travel backward or forward in time and see what has been and what is going to be, as well as experience the glorious wonderful present! We will see, hear, feel and experience the very events of the past, just as they happened.
But then you hear that he can't hear you, you see that he can't see you. You are not here--and you haven't even died yet. You see yourself through his eyes, as The Generic Woman, the skirted symbol on the ladies' room door.
In his book Stand Ye In Holy Places, President Harold B. Lee wrote that one is converted when his eyes see what he ought to see, his ears hear what he ought to hear and his heart understands what he ought to understand. "And what he ought to see, hear and understand is truth-eternal truth-and then practice it. That is conversion," he wrote.
The story man must see clearly in his own mind how every piece of business will be put over. He should feel every expression, every reaction. He get far enough from his story to take a second look at it... to see whether there is any dead phase... to see whether the personalities are going to be interesting and appealing to the audience. He should also try to see that the things that his characters are doing are of an interesting nature.
It was the last time she’d see the river from that window. The last time of anything has the poignancy of death itself. This that I see now, she thought, to see no more this way. Oh, the last time how clearly you see everything; as though a magnifying light had been turned on it. And you grieve because you hadn’t held it tighter when you had it every day.
So many times I've seen that done where it's the man laying back in bed, with his chubby belly, and the woman is absolutely gorgeous in every way, and you see all of her beautiful backside. To flip that on its head was so interesting to me.
You are different from the really great man in only one thing: The great man, at one time, also was a very little man, but he developed one important ability: he learned to see where he was small in his thinking, and actions. Under the pressure of some task which was dear to him he learned better and better to sense the threat that comes from his smallness and pettiness. The great man, then, knows when and in what he is a little man.
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