A Quote by Jenna Blum

My novella, 'The Lucky One,' is inspired in part by my dad and also by a Holocaust survivor I interviewed for the Steven Spielberg Survivors of the Shoah Foundation.
The Holocaust survivor who knows Auschwitz through the experience of suffering observes it all from the perspective assigned to him. He keeps silent or gives interviews to the Spielberg Foundation, he accepts the compensation payments promised him after a fifty-year delay, or, if he is prominent, he makes a speech in the Swedish Academy.
My dad couldn't connect to my wanting to be a filmmaker. He was very connected in entertainment, and through him I met Steven Spielberg and got rides on his private plane to California. I'd see Spielberg's people reading scripts. I was like, 'That's what I want to be when I grow up.'
I was lucky enough to work a little bit with Steven Spielberg.
With the children of Holocaust survivors, there is always a very close relationship. You grow with the sense that you are parenting your parents and - with this kind of responsibility to protect them. That's what makes the children of Holocaust survivors strange.
I had written the script for Juno and apparently Steven Spielberg had read it. I can't just call him Steven, that's weird... Mr. Spielberg had read it and he liked it. He asked me if I would write this television show for him and I said, 'Yeah!'
Steven Spielberg was a huge part of my childhood, like everyone's, I guess.
If I do an interview with [Holocaust survivor] Elie Wiesel, am I required as a journalist to find a Holocaust denier?
Fox [News] is far and away the extreme example. They'll have a known holocaust denier debating a holocaust survivor.
By the time May rolls around, I'm probably going to want to spend a month on an island. But if Steven Spielberg or Steven Soderbergh or any number of directors were to say 'Hey, there's this role, are you interested?' I'd be there in a flash.
By the time May rolls around, I'm probably going to want to spend a month on an island. But if Steven Spielberg or Steven Soderbergh or any number of directors were to say 'Hey, there's this role, are you interested?' I'd be there in a flash
My dad had this incredible kindness that oozed through every part of his body. He had the ability to look at life positively in spite of what he went through. He was a Holocaust survivor. When he was 15-1/2 years old, he was liberated from the Dachau Concentration Camp by American soldiers who risked a lot to save people they had never met.
My big break down here was working with Steven Spielberg in '1941.' It was a very small role, as Corporal Foley, who was part of the tank crew with Dan Aykroyd.
When kids like Steven Spielberg were eight and nine and 10, they had little cameras, and that's all they wanted to do. When I was 10, I was in my attic pretending to host my own variety show. Spielberg wasn't. That's why he's a film director, and I'm doing what I'm doing.
I think the typical way is that usually Holocaust survivors are known to be very quiet and full of anxiety, many of them don't like life, don't trust people. But my parents were children during the Holocaust. And my father was very optimistic.
I'm the Steven Spielberg of Malibu.
The Mormons even baptized Anne Frank. It took Ernest Michel, then chairman of the American Gathering of Jewish Holocaust Survivors, three years to get Mormons to agree to stop proxy-baptizing Holocaust victims.
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