A Quote by Jenna Blum

My dad, Bob Blum, used to dash across Grand Central's main terminal catwalk several times daily as a young CBS correspondent, running copy from newsroom to studio and back - because CBS' first broadcasts were from Grand Central Terminal. The pictures on people's television sets used to shake when the trains came in!
My take on what happened with the moon landing was [......] they suspect [ sic ] that on impact that the cameras would be damaged because back in 1969 cameras weren't, you know, like they are today, as good. So they had a studio set up at CBS to mimic the moon landing. And sure enough the cameras broke and so they flipped, you know, the CBS studio on. And what you saw of the footage of the '69 moon landing was actually at CBS studio.
Today I arrived by train in New York City, which I'd never seen before, walked through the grandeur of Grand Central Terminal, stepped outside, got my first look at the city and instantly fell in love with it. Silently, inside myself, I yelled: I should have been born here!
The funny thing is that the studio that we recorded in was the same studio that Frank Sinatra and Bing Crosby and Nat King Cole used to warm up their voices in before they went across the street to CBS Radio. The owner has preserved it exactly the way it was in 1925. It was such a perfect coincidence that we were doing music inspired by that stuff in that room. It was incredible.
A smart terminal is not a smartass terminal, but rather a terminal you can educate.
When I came to CBS it was the mother church. I mean that was - everybody wanted to go to work for CBS News.
I wanted to work for CBS because I loved the way CBS broadcast the Masters and I loved the way CBS presented the NFL. I loved the voices I heard.
Back in the fifties I was the hot, young comic on CBS and a regular on 'The Ed Sullivan Show.' I was also starring in shows on Broadway and acting in dramatic programs on television. Those were the glory days of television. It was like theater. It was live. If an actor forgot a line, he improvised. There was an immediacy to it.
I'm real excited about being on CBS and hosting this show. I have been studying all of the great CBS shows. I think I'm prepared, so if you're ready, let's have the first item up for bids.
When I was a kid, my dad was in construction and used to move the family back and forth between central Florida's east and west coasts.
I used to play 'Grand Theft Auto 4' and used to have a little community and we were some of the best players online.
In the U.S., the '50s and '60s marked the documentary's golden age, especially at CBS, where pioneering television journalist Edward R. Murrow, immortalised in George Clooney's 'Good Night, and Good Luck,' produced such landmark investigations as the CBS Reports programme 'Hunger in America.'
I left my job as an editorial assistant with Katie Couric at CBS to start our company. I think Katie has said being at CBS was the worst time in her career. They were cutting back their news and interactive budget. I just had this very distinct feeling that I wasn't in the spring of something: I was in the late fall.
I would listen to how they told the story, to what elements they used, to how it sounded, and that's who I patterned myself after, the people who were on CBS News.
They called it the Terminal Bar but they had no idea that like twenty years later the place'd be filling up with terminal cases.
'The Lucky One' features a young concentration camp survivor named Peter Rashkin - who's about the age my dad was when he started at CBS - working at the Oyster Bar, trying to acclimate to his new country and outrun the memories of the daily he left behind.
It used to be you would need a couple grand to make a record at a studio. Now, you can do it on freaking GarageBand.
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