A Quote by Jenna Dewan
It's a great thing if you're a creative person and have some kind of acting or dance or singing, any art. I think it's great to be around people who support that and who are into it like you are, and you can have one big family and teachers who know what they're doing.
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You know, people see [August: Osage County], and I tell them that it's based on my family, and they assume that I came from some kind of horrible, hysterical circumstances. That's not true. My family, my nuclear family, was actually very close. My mom and dad were great parents and they encouraged a real rich, creative life for me and my brothers. My extended family, like every family, has some darkness, and some violence of some kind, emotional or otherwise, in their past.
There's this great kind of spooky dance that happens that I can't access any other way. I think most of us are given kind of one pathway to that dance, and that's why I'm a writer. It's the only way I can get there. I can't do it through art, I can't do it through singing, I can't do it through mothering, I can't do it through invention.
A good collaboration I think it's really, truly a vibe thing. The people who are most excited about collaborations are people in the business, people who are thinking, "This is going to be great press," or, "This is going to expose you to all these people you haven't reached before." I prefer not to think like that. I'm more, if you meet the person, you like the person, you've talked to them, you feel connected, you feel like there's a creative exchange, then it kind of happens by itself. I'm open to it, but it has to feel right. If it feels forced, then I'm fearful of doing it.
I need to stress that I could not be more supportive of great teachers and great teaching, no matter what kind of delivery vehicle they are teaching through. We have to support great teachers. They just have to be freed up to do what they do best.
Dance was one of the things that led me to acting even though I say I fell in love with acting fairly early on and its true but around 16 and 17 I got heavily into dance but I think I just came into it too late and I was never going to be really great at it so I let it go and the dance led to more acting classes.
Doing photo booths and signings, and doing all of that for charity, and having dance parties every night, is so much fun. I like to dance, and I know other people that like to dance. It's a great way to celebrate the time that we're all down there together.
It's great to see that kind of support online. For people to be messaging myself, my nan and the rest of my family, all the support has been great.
I think that if you've got a great support system around you, and a great family, and a tight team around you, I think you don't get lost.
There are tons of people who have made great music, great art, great whatever, but you don't know about them until the people lift you to a certain height so that you could even be visible and get any kind of recognition.
Not everybody's a great singer, but people can get better at singing. There's great singing teachers out there. It's a muscle, you just have to train it.
I have a lot of projects I get asked for, but the opera house really is my house - my home. It's where I feel comfortable and confident and I get to explore these big human stories and dramas and collaborate with extraordinary people, great talented artists and administrators and other people who are passionate about it and support it. It's like working with a great big family - the family you love and enjoy being with all the time.
There are some people who do great stuff singing and playing fiddle at the same time and doing that kind of arrangement. But I think [I don't do that] partially because I'm still a loner on the guitar and banjo.
When you know you have great support from the studio, that's a great feeling, and when it's the creative support, that's great.
Writing is the great skill, the creative skill. The acting is more an interpretative skill. And the thrill for me is the moment when I think of something. And then the challenge is how to get that funny idea to work in terms of the structure and that kind of thing, which is - and that's what I really love doing.
Between acting jobs, I'd go visit my hometown and college town to see family and friends. But I would also teach acting, dance, singing, and audition techniques in high schools and colleges. I take great pride in all the survival jobs I worked, because I learned so much from them.
I don't think talent has anything to do with inspiration. Inspiration creates talent. People prioritize innate talent too much. It gives them license to walk around and act like assholes. I think I straddle a line between being innately talented and having had to put in some work. You ever go to a party where there are a lot of creative people and they feel like they have license to just act any kind of way? I'm not really a moral person myself, but they just tend to never ever be sincere because they believe their art or the fact that they are artists makes them holy in some way.
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