A Quote by Jenna Fischer
I know so many amazing actors who don't get work... and then there are a bunch of real duds that work all the time. The industry is just not fair in that way.
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I have a concentrated period of work for about five months, and then I take a bunch of time off. That's just the way I work.
I just want to do everything. As broad as that seems, it's kind of the plan. There are so many different genres out there to do, so many different characters to play, so many different amazing actors and directors to work with. I'm just following my gut, and if it's speaking to me, then I'm doing it.
With the art films I've done, you know, I got to work in a way that so few actors get to work in, people work years to get those kinds of opportunities.
As a young actor, there's a very small group of kids, just a handful. As you get older, all of a sudden, there's a bunch of guys your age that work. It's a very different experience when you used to be on the short list because you were young and there's only so many kids that can do the work and then all of a sudden you're in your twenties and thirties and there's a whole bunch of guys that can do your work.
Every time I work with real Southern actors... we immediately go into white trash, and we just get along really well within one night, you know.
I feel like most actors just dig and dig and work and work in whatever way they do to try to do as much as they can to portray a character in the limited time they have to play it, whether it's six months or one month or one week of work, you know.
It's an amazing feeling to feel that I was able to get a personal connection to the work, through the work of it. But I like the idea that I was able to tell a bunch of people's stories even though I didn't know them.
One of the challenges of being a director is often you don't get to work with your peers. You know, writers can write together, and as a director you get to work with so many wonderful actors and writers and designers. But it's pretty rare that you get a chance to partner in that way with another director.
I perform in art time and in real time, and you can't tell the difference - no one knows how to separate a real act from an art act in my work. When I lived on the street for a year, people only knew that I was homeless. They didn't know that I was an artist doing a piece. I have to use real time in my work. I do, however, have to find a subtle way of documenting real time, in order for people to have a response. That means punching into a work clock every hour in the case of one piece.
You can't be a good actor if you get too affected by fame. Because then you're not real, and you're not really wanting more. You look at a lot of actors who, before they were famous, did a lot of amazing work, and once they got too big, it just got off.
I know a lot of really good actors - tons, just tons - who I still don't know why they don't work all the time because they're that good. It's just a weird business, and I know a lot of actors who shouldn't be working, but they work all the time.
There are so many young talented actors today whose work I respect and admire - Ryan Gosling is probably primary among them. I take inspiration from so many amazing actors.
I work with amazing organisations: I work with I'm A Performer With Disability, and I work with a clinic which tries to get opportunities for people with disabilities to work in the film and TV industry, and we're making strides, and they're making strides.
You can really shoot things you think might work on camera one way, then you can try it that way, and then if you think it could also work another way, you have that luxury of shooting a bunch of different steps, and then they can decide in editing what works the best.
There are plenty of other actors who are wonderful that just don't work in a way that I work, or our methods aren't necessarily compatible. But then there are those you instinctually just are drawn to.
Clothes are an amazing tool. They are an amazing way to hide a multitude of sins; they're an amazing way to be creative. Clothes can do so many things. But at the end of the day, if they don't serve you, it's just a waste of time. Then it is frivolous.
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